Full frame
More is more when it comes to the Cooke S8/i Full Frame T1.4 Prime cinema lens line, which has increased its total number of focal lengths from seven to eleven with the addition of 18mm, 27mm, 35mm, and 65mm lenses. These new focal lengths are designed to mirror the same standards as their predecessors for easy integration into your preëxisting lineup.
New Cooke S8/i Full Frame T1.4
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This week on the B&H Photography Podcast, we welcome two old friends of the podcast to talk about the latest gear from their respective companies. First up is Rudy Winston, Technical Advisor at Canon USA, and then we welcome Marc Farb, Technical Rep from Sigma. Both Winston and Farb are breaking records with this, their fifth visit to our show.
With Rudy Winston, we discuss a few cameras that were released last year or earlier in 2020, such as the
Bigger numbers are always better, right? Well, it certainly seems to be the case with the just-announced Sony Alpha a7R IV and its 61MP full-frame BSI CMOS sensor. Somewhat of a surprise launch (I’m sure many were expecting another a7 to be updated sooner), but it is a welcome one. Not only is the a7R IV bringing with it a higher resolution—fitting its “R” designation—but also tons of quality-of-life improvements to make operation and
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B&H recently hosted the OPTIC Outdoor, Photo/Video, Travel Imaging Conference, which gave us an opportunity to sit with many wonderful photographers including Ron Magill, Frans Lanting, and Erin Babnik, and we will be publishing these conversations over the next few weeks. Today we welcome representatives from Canon, Panasonic Lumix, and Sony to discuss their latest wares.
First we speak with Ross Joseph from Canon about his company's
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Announcing the new Sony A7R III mirrorless camera and FE 24-105mm f/4 G OSS Lens. Building on the success of the A7 series, the A7R III combines the ultra high resolution of the camera's second iteration, along with the improved processing speeds.
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In this head-to-head comparison, it's the a7R II and a7S II mirrorless still cameras up against the cinema-ready FS7 video camera. With 4K recording in all three cameras, how do still cameras compare to a dedicated video camera in quality, ergonomics
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The Sony A7R II has an incredible 42MP full frame, Exmor R, back illuminated CMOS sensor, with 5 axis SteadyShot in-body image stabilization and the A7S II has all those same specs and features but with a 12.2MP sensor.
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In the following video, both Larry Becker and Mia McCormick dive headfirst into the astounding feature set of the Sony Alpha a7R II Mirrorless Digital Camera, a monster 42MP full-frame camera that squeezes in internal 4K video recording capabilities. First, Becker covers the high-resolution stills features, detailing the incredible photo quality with a wide ISO range, good dynamic range, and fast autofocus. Also, the redesigned body is described and
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In the following video, Larry Becker, from KelbyOne Media, gets his hands on Canon’s megapixel monsters, the EOS 5DS and 5DS R. The video delves deep into the possibilities offered by the 50.6MP CMOS sensor, combined with a variety of underlying technology to maximize quality, such as Dual DIGIC 6 image processors and a redesigned shutter
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In the following video, John McQuiston shows off the Sony FE PZ 28-135mm f/4 G OSS lens, and covers a range of topics relating to its design, specs, and image quality. The video begins with a look at the Power Zoom function, and covers its related controls and ability to operate at eight different speeds, as well as manually. From here, McQuiston provides a rundown of the numerous other features of the lens, including the iris and focusing
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In the following video, Larry Becker, of KelbyOne, presents an overview of the Sony Alpha a7II mirrorless digital camera, and covers its updates and distinctions from its predecessor, the a7, as well as the other a7-series cameras. The video begins by touching on some ergonomic and physical changes, including a new metal body design, enhanced grip, and forward-angled shutter-release button. From here, Becker reviews the five-axis
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Available for Canon, Nikon, or Sony mount systems, this Tamron 150mm-600mm optically stabilized zoom has a fast, silent focus motor and class leading performance.