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About 10431 filtered results
12:53
Samsung NX30
2,133 Views· Posted 03/31/2014
In the following video, Larry Becker presents an overview of the Samsung NX30 mirrorless digital camera and covers its imaging performance and expansive range of connectivity abilities. The video begins with information on the NX30's general design, including its ergonomic grip, tilting EVF, and tilting LCD monitor, and expands into its AF and shooting performance. The broad range of Wi-Fi connectivity options is covered,
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twist flip lcd touchscreen
wifi
05:32
Genustech Mini Jib
6,422 Views· Posted 03/27/2014
In the following video, Mia McCormick takes a looks at the Genustech Mini Jib and how it’s a great option for adding production value to your videos without the hassle and exra cost of a full-size professional jib. McCormick explores the jib’s design, including its lightweight 3.5-pound frame, 6-foot maximum extension, and ability to collapse down to just 33". She also examines tripod selection, setup, and how to balance the jib
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mini-jib
portable jib
reveal shots
smooth sweeps
sweeping camera movement
06:32
Glide Gear DNA 6000 & DNA 5050
11,174 Views· Posted 03/26/2014
In the following video, Mia McCormick, of Kelby Media, demonstrates ways to achieve smooth shots using the Glide Gear DNA 5050 Stabilizer with DNA 6000 Vest and Arm. McCormick explores the one-size-fits-all padded vest with aluminum front plate, dual swing arm with adjustable tension springs, and the DNA 5050 camera stabilizer with three-axis gimbal. McCormick also shows us how to balance the stabilizer by adding weights and adjusting
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360 Degree Pan
Adjustable Center Columns
balanced gimbal stabilizer
effortless video
padded vest
stabilizer
vest
Shooting Hoops: Brooklyn Nets Photographer Adam Pantozzi
by John Harris · Posted 03/26/2014
Had I not arrived two hours prior to tip-off, I never would have seen what a jack-of-all-trades Brooklyn Nets photographer Adam Pantozzi is required to be. Pantozzi has been shooting for the Nets for almost ten years, and has moved with them from the Meadowlands, to Newark, and as of last year, to their new home at the intersection of Atlantic and Flatbush Avenues in Brooklyn. I went into the interview thinking I would be crunched under the basket, watching him photograph bruising rebounds and sweet three-pointers, but, as he quickly
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Thoughts on Instagram, from the Mind of Chris Buck
by Eric Reichbaum · Posted 03/25/2014
Chris Buck is a photographer known mostly for his portraiture, in which he brings a unique and distinctive style to each of his images, and unsurprisingly, he’s brought this sense of invention to Instagram. Buck was kind enough to share his thoughts with us on what he once referred to as a “mix of photos of lunch, ironic landscapes, and Holga-filtered observations of everyday life.”   Joaquin
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Vello Wired and Wireless Remote Controls and Triggering Devices
by Allan Weitz · Posted 03/24/2014
Remote triggering devices are more than a convenience. In the right hands, a remote triggering system can expand the parameters of what’s possible when planning a complex, multifaceted photograph, or for that matter, add new twists to less complex subjects you’ve photographed countless times. Available hard-wired for shorter distances or wireless configurations for greater working distances, remote triggers help to eliminate camera vibration at the time of exposure, resulting in sharper pictures. For product shots, nature, long exposures, and
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Flash & Accessories
Film Sound Mixer Whit Norris: No Sound Problems, Only Sound Solutions
by jaime traba · Posted 03/24/2014
Whit Norris is a professional film sound mixer with a filmography ranging from work on Fast Five to Anchorman 2. Norris took some time off on the set of his current project, the forthcoming Vince Vaughn film, Term Life to talk about gear, and share some great tips and experiences from his expansive filmography. On your IMDB page, you have a fairly prolific filmography listed. When did you realize sound for film was your passion, and how did you get your start as a professional? When I was in college, I always had a passion for sound,
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ENG - Broadcast
Versatile Bescor LED-700 Series Video Lights
by Amanda Bellucco · Posted 03/20/2014
Professionals in the photo and video community put a lot of stock into finding portable, easy-to-set-up equipment, and that’s exactly what Bescor aims to provide. Their Field Pro Lighting brings user-friendly versatility to the forefront with several kits designed especially for videography professionals. The LED-700 series is a great solution for lighting both in the studio and on location.
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Head in the Clouds: Mike Olbinski's Storm Photography
by Eric Reichbaum · Posted 03/20/2014
Mike Olbinski went from photographing lightning in his backyard with a point-and-shoot camera to being a professional storm photographer—in a flash. His time-lapse storm videos have gone viral in a big way; one of them even made an appearance in a major motion picture. I spoke to Olbinski to find out how he does it. Was storm photography how you started
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05:29
Canon VIXIA mini X
7,088 Views· Posted 03/19/2014
Join Mia McCormick, of Kelby Media, as she discusses the Canon VIXIA Mini X Full HD Camcorder, and why it may be the video blogging tool for you. This video explores the specifications of the camcorder, including the 12.8MP sensor, which captures Full HD, and the f/2.8 lens with ultra-wide-angle and close-up recording options, as well as the unique design of the camera, which features an articulating screen and kickstand for hands-free operation. McCormick also highlights some of the new features the Mini X introduced since the previous VIXIA
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audio scene selection
image stabilization
portable camcorder
scene selection
selfie video
share video
wifi
Create Lower-Contrast Footage with Cooke Optics miniS4/i Uncoated Lens Elements
by Justin Dise · Posted 03/19/2014
Lens selection is an important decision for any Director of Photography. Lenses from different manufacturers and different eras offer unique characteristics to better suit the director’s vision for a film or scene. While color grading gives you the flexibility to adjust images in post, there are intrinsic qualities inherent in the construction of the lens itself that can't be fully replicated. And with on-set grading becoming more commonplace, the ability of a DP to create a "look" on set with just lens selection can endear them to the
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The Top 7 Questions from our Sony A7 Live Webcast
by Sam Mallery · Posted 03/19/2014
On Tuesday, March 18, B&H hosted a live webcast on the topic of Sony's Alpha A7 and A7R full-frame mirrorless digital cameras. Our live panel consisted of Pulitzer Prize-winning photographer Brian Smith, Sony's Senior Manager of Technology, Mark Weir, and our own Gabriel Biderman.
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Mirrorless Cameras
07:32
Wedding Photography Tips: Posing with Moshe Zusman
8,138 Views· Posted 03/18/2014
Join renowned wedding photographer Moshe Zusman as he explains his approach and shares some of his techniques for posing brides, grooms, and wedding parties. If you want your wedding portraits to possess pizzazz, character, elegance, and a natural feel, Zusman suggests that you treat each image as though it were part of a high-fashion shoot. You can achieve the best images by posing your subjects assertively—and you can imprint ideas in your consciousness by posing your friends, spouses, or relatives in practice. Plan in advance, scout
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Wedding Photography
Portrait Photography
Who Wrote the Rule of Thirds?
by John Harris · Posted 03/17/2014
Most photographers encounter the Rule of Thirds at some point in their life, and likely recognize it as more of a theory or suggestion than a hard rule. But what are the origins of the Rule of Thirds? It turns out that its roots can be traced back to the 18th Century. The Rule of Thirds posits that a visual composition is most pleasing to the eye when its compositional elements conform to an imaginary set of lines that divide the frame into equal thirds, both horizontally and vertically. Furthermore, the “Rule” suggests that the human eye
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Rule of Thirds
Limelite’s Wide Range of Tungsten, Fluorescent, and LED Lighting
by Shawn C. Steiner · Posted 03/14/2014
Whether you shoot in the studio or on location, Limelite offers an LED, tungsten, or fluorescent lighting solution to suit your needs. Increasingly popular LED technology is represented by Limelite's Mosaic lights. These 1x1' panels employ 576 LEDs with a CRI of >85 for accurate color rendering  and output up to 5200 lux at 3'.  Daylight, Tungsten, and Bi-Color versions are available and feature a back-panel
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