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Posted
Devin Allen, award-winning photographer and activist, captures the power of communities and moments through his lens. Devin shares his insights and experiences his powerful approach to storytelling through photography.
0:00 - Intro - About Devin
3:37 - How Devin got started photographing Baltimore
12:14 - Photographing protests
21:55 - Commercial work leading to larger opportunities
27:11 - His work over the years with Leica
32:35 - Storytelling with continuous light
36:20 - Q&A discussion
Sponsored by
by Shawn C. Steiner · Posted
Pop on a pair of (decent) sunglasses and not only are your eyes less strained, things just look better. The reason for this is likely the polarization effect. Colors may appear more saturated, bright blue skies can take on a deeper hue, and some pesky reflections just vanish. All of these can benefit certain photographs and make the circular polarizer filter one of the best—and most difficult—filters to use.
Exactly What Does a Polarizer Do?
It’s
by Steven Gladstone · Posted
Productions tend to fall into two categories—a disorganized mass of people scurrying around to somehow get the shot off as the sun goes down, leaving crew and cast exhausted at the end of the day, or a smooth moving production that is more like a complex dance, though not as frenetic, far less exhausting, and far more efficient. If you are only going to be working on a film/video production a single time, then the maddening chaos of the first type of production will probably feel very satisfying. However, if you are looking at working in the
Posted
“Live From New York, it’s Saturday Night!” That single sentence has become a catchphrase for devotees of comedy and popular culture for more than 50 years—generations of fans who willingly turn their attentions from the height of weekend revelry to the televised antics of Saturday Night Live.
Above Photograph © Mary Ellen Matthews
As this illustrious broadcast wraps its 51st season, we’re releasing an encore of our 2025 chat with SNL’s photographer-in-residence Mary Ellen Matthews, while we busy ourselves backstage to bring you some exciting
by Staff Writer · Posted
Adobe is happy to announce its latest downloadable application, Firefly. Coming in both standard and pro variants, Firefly blends creative minds with generative AI to produce high-quality results. Folks can easily generate video clips from text prompts, produce detailed images, create natural-sounding voice-overs, and more.
Adobe Firefly Standard
Firefly features advanced image
by Luke Rollins · Posted
A legacy mount gets a pair of modern optics with Thypoch’s latest lenses for the Leica M-mount, the Ksana 35mm f/2 ASPH and 21mm f/3.5 ASPH for full-frame cameras. Lightweight and compact, the two wide-angle prime lenses are robust manual-focus options for travel
Posted
Polyend Drums allows you to have a wide range of sound at your fingertips. Learn about this drum machine at Superbooth Berlin 2026!
0:00 - Overview
0:17 - Machine Layout
0:35 - Controls
1:57 - Effects
2:15 - Sample Jam
Posted
"I never realized that tree trunks sounded this good."
Kevin, Andrew, and Gabe are doing what they do best: talking about the latest and coolest audio gear. Superbooth Berlin 2026 had a lot to offer, so check out what made the cut (trust us, there's a reason gloves are on the list).
0:00 - UAD Enigmatic '82 Plugin
1:20 - Rupert Neve
1:46 - Synth Kalimba
2:31 - Mimu Gloves
4:05 - Telefunken 251
5:13 - Soma Terra Synth
6:40 - Atomic Analog 500 Series Module
7:40 - Kevin's First Foray into Synthesis
8:52 - La Voix du Luthier Acoustic Resonators
Posted
In a world where photography has become so popular, it can be a challenge to stand out from the crowd. Ben Franke’s work capturing the excitement of parkour, is full of energy and passion. Derek sits down with Ben to discuss his creative process and the nuance of approaching photography at different speeds.
0:00 - Intro
1:48 - How Ben uncovered his photography style
9:15 - What was Ben shooting before this
11:40 - Personal projects that lead to opportunity
20:39 - Bike life
29:52 - NY moments
38:31 - The power of movement in images
46::01 -
by Mathew Malwitz · Posted
The wait is finally over, and Sony has unveiled not one, but two new game changing imaging tools to their arsenal. Introducing the a7R VI mirrorless camera and the FE 100-400mm f/4.5 G Master lens. The perfect marriage of speed and resolution.
by Luke Rollins · Posted
Sports photographers are newcomers to the a7R party. Not because they're late to the series, but because until now the camera line simply wasn't well-suited for action, what with its processor-hungry file sizes slowing things down. Sony aims to change all that with the a7R VI Mirrorless Camera, the company's latest 66.8MP full-frame shooter offering unprecedented speed for the series.
by Mathew Malwitz · Posted
The a7R series has long been popular among wildlife photographers for the big files and associated crop-ability so to speak. That said, one area where the R could use some improvement is in the speed department. After all, it was never designed to be a wildlife camera; Its bread and butter was always resolution with landscape, portrait and studio photographers making the most use of all the extra detail. But, as tends to happen, Sony bends the rules.
by Luke Rollins · Posted
Video performance was a stealth strength of the a7R V, and in this next-generation a7R VI Mirrorless Camera, the improved performance moves the camera from “if you know you know” to video headliner. Sony’s latest acknowledges the new hybrid table-stakes for professionals and creators by delivering video quality worthy of the “R” imprimatur.
by Luke Rollins · Posted
Since its inception, the a7R series has been a mainstay of portrait photographers, for whom its high-resolution imagery benefitted large-scale prints in fashion, beauty, and art contexts. With the release of the a7R VI Mirrorless Camera, Sony has introduced speed into the portraitist's toolkit, eliminating the tradeoff between resolution and processing and making the act of portraiture one of agility and discovery.
by Mathew Malwitz · Posted
Wedding photography is a blend of genres, sort of a marriage (pun intended) between portrait, street, and occasionally even landscape photography. There’s always a bit of mystery when it comes to lighting, and we need to be ready for anything. In a reception hall, you may dimly chandeliers, bright LEDs, or even pulsating, colorful strobes from the DJ booth. All of these variables, and you may not be able to use flash! What can you do?