About 1643 filtered results
1,376 Views· Posted
In the following video, Rob Rives, from B&H, discusses budget options for improving the audio quality of your DSLR shoots. Rives explores on-camera microphone options, including the lightweight RØDE VideoMic GO shotgun microphone and the Tascam TM-2X stereo microphone. Rives also looks at the
by Daniel Bockrath · Posted
With the ever-increasing mobility of music-production equipment, the subject of mixing and mastering on headphones becomes increasingly relevant. While there is no real substitute for mixing and mastering on tuned near- or mid-field monitors in an acoustically treated room, headphones certainly have a role to play in production. Whether for convenience, portability, noise considerations, or other reasons, here are a few ideas to keep in mind when mixing with headphones.
1. Protect your Ears
When wearing headphones, recognize that because the
by Dave Shim · Posted
Modern-day musical synthesizers offer a staggering array of options for control of parameters, note sequencing, and interfacing with hardware sound modules and software DAWs and plug-ins. Among these, the now-ubiquitous MIDI (Musical Instrument Device Interface) protocol has been around since 1983, while the network-optimized, less widely adopted, OSC (Open Sound Control) has been in use since the late 1990s. These standards have empowered both studio wizards and bedroom producers to wield a formidable arsenal of sound tools and sculpt them
by jaime traba · Posted
Whit Norris is a professional film sound mixer with a filmography ranging from work on Fast Five to Anchorman 2. Norris took some time off on the set of his current project, the forthcoming Vince Vaughn film, Term Life to talk about gear, and share some great tips and experiences from his expansive filmography.
On your IMDB page, you have a fairly prolific filmography listed. When did you realize sound for film was your passion, and how did you get your start as a professional?
When I was in college, I always had a passion for sound,
by jaime traba · Posted
In a perfect world, budgets would be unlimited and you could hire a top-notch sound person for every production. But for students, amateurs, or professionals on a shoe-string budget, you probably don’t have the funds available to do that. This doesn’t preclude you from stepping up the quality of your audio. Here are five steps you can take that can help your sound.
1. Pay more attention to sound while filming (just by opening your ears)
Yes, you have more than enough to pay attention to when you’re behind the camera, but a little attention to
by Shawn C. Steiner · Posted
Portable digital audio recorders and their built-in microphones have made it easier for everyone to capture high-quality audio. Ambient sounds, podcasting, and live music are obvious uses for these highly capable devices, but one of the most significant areas for portable digital recorders is in film and video production. The past decade has brought a wave of affordable camera systems that can shoot cinema-quality Full HD and 4K video.
by Sam Mallery · Posted
A good XLR cable is one of the most essential accessories on the planet. Even though you may use them regularly, you still may not be sure what to look for when buying a new one. Pearstone recently unveiled a new line of XLR cables that offer a high level of quality at a surprisingly budget-friendly price. In this post I'll show you what to look for when choosing an XLR cable.When I shop for XLR cables, the first thing I always look for are quality
by Sam Mallery · Posted
Shotgun microphones are used to capture sounds such as dialog in film and video productions, for “spot” miking specific areas on sets, stages and installations, and for creating Foley and sound effects. These microphones feature a distinctive long and vented “interference tube,” which helps reject sound from the sides and rear and focus on the sounds directly in front of them. They are very sensitive and detailed sounding, and because of their