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by David Adler · Posted
With arrays of its popular HERO cameras already driving the engine that is spherical (also colloquially referred to as “360-degree” or “VR”) video, it’s only natural that GoPro would unveil its own professional solution, the Omni. Using six synchronized HERO4 Black cameras inside a single sturdy chassis, the Omni rig can capture footage from all angles simultaneously. Since each HERO4 Black camera records in 4K UHD resolution,
by John-Paul Pale… · Posted
During my days as a film student, I shot projects using film and digital media. While digital footage was imported directly from tape, film was sent out, developed, and transferred to tape in standard definition. Now that more than a decade has passed and the industry has gone predominantly digital, what options exist for people looking to transfer their existing film? The answer is: film scanning, but how does this differ from the older telecine process? Before undertaking this journey, users will need to be familiar with items such as film
6,943 Views· Posted
An ideal documentary rig is lightweight and fast to work with, without sacrificing professional quality and features. If one piece of gear is built with this mantra in mind, then it’s Zacuto’s latest EVF—the Gratical Eye. Join Doug Guerra, from B&H, as he follows a photographer around New York City, highlighting the benefits of the EVF for run-and-gun productions, from its high-contrast micro OLED display and compact design, featuring
by David Adler · Posted
Canon continues to cultivate its presence in the pro video segment with the announcement of the new Canon Compact Servo 18-80mm T4.4 Zoom Lens and the Multi-Purpose ME200S-SH Camera.
Being lightweight, at 2.7 pounds, and covering a very
15,930 Views· Posted
In this interview, Ken Rowe stops by to talk about the just-announced Canon Compact Servo 18-80mm T4.4 lens, and the ME-200S-SH camera.
by David Adler · Posted
Admit it: when you heard about the Lytro Light Field and Illum cameras, you wanted there to be a Lytro Cinema Camera. The ability to refocus and determine your image’s depth of field after the time of capture would be invaluable to nearly any production. Today, Lytro announces just that—the Lytro Cinema. Not just a camera, Lytro
6,130 Views· Posted
Color grading is an essential part of the modern post-production workflow, especially with log gamma profiles and raw video recording more accessible than ever before. But for those new to the game, diving head-first into color grading can be a bit overwhelming. In the following video, Doug Guerra, from B&H, eases the processes by covering the basics, including the difference between color correction and color grading, required tools and software, and technical terminology, as well as some more theoretical considerations. We hope you enjoy
by Steven Gladstone · Posted
Now available at B&H Photo, the Panasonic VariCam LT is a smaller, lighter version of the Varicam35 that features the same sensor and shares many features of the larger version. The VariCam LT is a 4K digital cinema production camera with a single Super 35mm-sized sensor with 14+ stops of latitude (when using Panasonic’s V-
by Steven Gladstone · Posted
Way back when I was in college, a young director came to speak to my class and share his experiences with making, for the time, a moderately budgeted film. Nearly 30 years later, I can still remember him saying that a location day costs $150 a minute. That meant arriving on set, walking over to craft services, and getting a cup of coffee—cha-ching! $150. Drinking the coffee—cha-ching! That’s another $150 (think about that the next time you get a Grande, iced, sugar-free, vanilla latte with soy milk at Starbucks.) That comes to $9,000 an
by David Adler · Posted
Once touted as a headlining feature on only the highest grade digital video/cinema cameras, such as the Sony CineAlta line, log (logarithmic) recording has become a mainstay on more affordable professional products, such as the Canon EOS-C series, and more accessible through prosumer products like the Sony α-series mirrorless cameras. One of the reasons log recording has become so prevalent is that it is often associated with the idea of better image
by Steven Gladstone · Posted
What many people may not realize is just how important the A.D. department is to a production. In the following article, I interview three past and present Assistant Directors about the role of the AD on a film.
Tempus Fugit
A good AD can keep a production moving along, accomplishing the day’s work, while allowing the director to get not only the minimum number of shots they need to tell their story, but also the additional shots that flesh out the film.
Steven Gladstone: When I was doing a lot of production work, I would refer to the AD
by Justin Dise · Posted
For many video shooters, a single camera is often enough. If you’re one of those people who finds this to be true then, by all means, feel free to skip this article. But if you’re someone who works with multi-cam setups or is thinking about picking up a second (or third) camera to supplement your main camera, then please keep reading. There are many things to consider when selecting a “B” camera, and while you could easily just purchase an identical model to your main camera, this isn’t always affordable, nor does it give you the opportunity
5,906 Views· Posted
Cinematographer Randy Scott Slavin discusses his experience being a DP using drones, with B&H Prospectives. He explains how he got into drone shooting, beginning with a skateboard video, and puts into perspective the reservations many people have about drone safety. Slavin also offers tips on getting great shots all while keeping crew and bystanders safe. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
by David Adler · Posted
by Justin Dise · Posted
Vlogging—or video blogging—is becoming more popular by the day, with seemingly everyone seeking to become the next YouTube sensation. You may be thinking that with the right subject matter and your winning personality, stardom is right around the corner. And who knows—maybe it is! But if you’re really going to give it a go, then you’re going to need a few essential pieces of gear to get your vlogging career up and running, and looking good. I mean, let’s face it: viewers are brutal. Bad audio? Dislike! Lousy video quality? Double dislike! So