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by Luke Rollins · Posted
Godox is debuting its most powerful monolight strobe unit yet, the AD800Pro All-in-One Outdoor Flash. Offering studio versatility for location professionals, the unit boasts a sun-besting 800Ws output with touchscreen controls, 300 full-power flashes per charge of its removeable battery, and compatibility with Godox’s X wireless system.
by Mathew Malwitz · Posted
As we learn about exposure, we need to talk about shutter speed. Your camera’s shutter controls the duration of an exposure and is one of the three settings that determine the exposure of an image. Together, these settings are known as the exposure triangle.
Where aperture controls the amount of light we allow to reach our imaging area, it is the duration of our exposure that will directly influence whether an image is sharp or blurred. This is what makes it such a significant piece of the exposure puzzle. Now, let’s take a closer look
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Taking an idea and turning it into a published book is one of the most rewarding processes a photographer can undertake. Sony Artisan of Imagery Jean Fruth and art director Josh Baker take you through the entire experience, from layout and design to printing, publishing, and distribution.
0:00 - Intro
1:13 - About Josh Baker
5:12 - Bookmaker & photographer
12:37 - Choosing what photos goes in the book
20:09 - Designing the book
24:10 - Keeping the viewer engaged
28:14 - Collaborative effort with art director and photographer
34:08 - Goal
by Mathew Malwitz · Posted
Aperture is one of the most significant settings in photography and also one of the first we should learn. It’s also one of the three settings collectively referred to as the exposure triangle that help to determine an image’s exposure.
Much like the iris of the human eye, a lens’s aperture opens and closes to control the amount of light reaching a light-sensitive imaging area. For this reason, the setting is
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2026 brings a wave of new trends for wedding photography. Is natural light out, and flash photography in? Are we trading digital for film? Lotta, one of our resident wedding photographers, shares her predictions.
0:00 - New Year, New Trends
0:38 - Artificial Lighting
1:43 - Medium Format Film Photography
2:28 - Wedding Photo Galleries
3:12 - What Is Your Final Product?
4:07 - Is Bokeh Out?
5:27 - Short Form Video (Content Creation/Wedding Videos for Social)
6:03 - What’s Carried Over from 2025?
7:06 - Comment Your Thoughts!
by Mathew Malwitz · Posted
Starting off 2026 on a strong note, Nikon has unveiled their latest lens for the Z system. The Z 24-105mm f/4-7.1 is a flexible, carry-everywhere zoom designed with convenience in mind. At just 12.4 oz, this is one of the lightest zooms of its caliber in Nikons current lineup.
Nikon NIKKOR Z 24-
by Mathew Malwitz · Posted
Photography is by definition, the capture of light on a light sensitive surface. That surface could be glass, tin, film, or a digital imaging sensor like those found in most modern cameras. The amount of light that reaches our light-sensitive surface is what we can define as exposure.
A good exposure will look accurate to life or the photographer's creative vision. It will maximize an images quality and
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Does a wide range zoom lens mean lower image quality? Sam shows you how to utilize Tamron's 25-200mm f/2.8-5.6 with an 8x zoom range for multiple photographic genres. You can go from taking wide landscapes to portraits to wildlife to street photography, all without lugging around a bunch of gear.
0:00 - Are Long Range Lenses Worth It?
1:08 - Test Shoot
2:23 - Sharpness, Bokeh & Minimum Focusing Distance
2:45 - Weight,
by Luke Rollins · Posted
Subject and style may vary, but consistency is a quality shared by all successful photo studios. When working indoors, that begins with lighting. Strobes remain the bread and butter of many still photography studios. Unlike natural light, which can be finicky and unpredictable; on-camera flashes, which are not typically designed for studio use; or continuous lights, which can become costly as output increases; strobes are built to withstand the rigors of studio life while providing flexible and powerful light. But with so many options on the
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In case you don’t already know, 2025 marks 10 years since we started the B&H Photography Podcast, making today’s show our tenth annual Photo Gear of the Year episode! A lot of cameras have come down the pike since that first recap, along with a veritable roller coaster of marketing strategies and photographic trends.
To follow up on a trend discussed last year, we start out with a nod to point-and-shoots, a craze that, according to Kevin, has “become fever
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As 2026 approaches, we're looking back on 2025's new camera gear, namely cameras and lenses. Matt lists the top gear that came out this past year for brands such as Sony, Canon, Nikon, FUJIFILM, DJI, and MORE!
0:00 - Intro
0:19 - Sony
2:24 - Canon
4:58 - Nikon
7:00 - OM SYSTEM
8:07 - DJI/Hasselblad
10:25 - Sigma
12:12 - LUMIX
12:47 - FUJIFILM
13:58 - Leica
15:09 - Accessories
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OM System Ambassador Frank T. Smith comes to the B&H Event Space and takes you on a visual journey through landscapes, wildlife, macro, and travel photography. Franks discusses how to get creative with your landscape photography. He also shows off the newest lens from the OM SYSTEM family, the OM SYSTEM M.Zuiko Digital ED 50-200mm f/2.8 IS PRO Lens.
0:00 - Intro
2:09 - Seeing beyond the obvious
5:33 - Finding different/unique perspectives
21:42 - Landscapes with the OM SYSTEM M.Zuiko Digital ED 50-200mm f/2.8 IS PRO Lens
32:18 - Macro
36:
by Mathew Malwitz · Posted
SmallRig has long been a staple of the run-and-gun video shooter's bag. Camera cages, base plates, and 15mm rod systems have been the brand’s bread and butter for years. Over time, more and more photo accessories began to fill out their lineup. Soon came tripods, and logically monopods. One of the latest additions to their arsenal is the SmallRig Carbon Fiber Monopod Lite.
All Photographs Mathew
by Mathew Malwitz · Posted
If renowned landscape photographer Ansel Adams were alive today, he would surely be astounded at the variety of cameras available. When compared to his hulking 8x10 view camera, today’s cameras look like child’s play. He would also be flabbergasted at the image quality these little devices produce.
This year, we have a bottomless well of cameras