About 7316 filtered results
by Mathew Malwitz · Posted
The travel tripod conundrum is a cruel reality of physics and practicality. The larger and heavier a tripod is, the steadier it will hold a camera. The larger and heavier a tripod is, the less likely you will ever want to carry it around or take it on a trip. Why are we left with a photographic reality like that which makes the tastiest food bad for you?
Tripods come in all shapes, weights, heights, and styles. If you are new to the world
by Steven Esposito · Posted
OWC is announcing not one but two brand-new hubs! The OWC USB4 Hub and Thunderbolt 5 Dock are both designed for specific-use cases, giving diverse types of users the flexibility and expansive capabilities they need to streamline their workload and transform their laptop into a fully functioning workstation.
USB4 Hub
Equipped with six ports, the USB4 Hub leverages an incredibly fast 40 Gb/s transfer speed and bandwidth to expand the
by Freddy Gerngross · Posted
Neumann has announced the successor to the lauded KH310 A with the KH310 II Studio Monitor, which debuts alongside the brand-new KH350 Studio Monitor—both of which are three-way monitors designed for medium and large rooms for recording, production, broadcast, and immersive audio. Neumann has decided to switch from class-AB amplifiers to
by Mary Latvis · Posted
Atomos, a go-to source for professional video monitors, has updated their product line with two new monitors: the 7” Shinobi 7 II and the 19” Shogun AV-19M. Each is designed to enable filmmakers, photographers, and crew members to monitor, control, and deliver the images they envision at all
by Zack Young · Posted
Panasonic is shaking up the professional PTZ game with the new AW-UE200, AW-UE210, AW-UER200, and AW-UER210, all available in black or white and featuring a groundbreaking global shutter MOS sensor. The R-variations add a roll functionality while the 210-versions sport built-in SMPTE ST 2110 and Dante compatibility. These pro-level 4K PTZ cameras are built for demanding sports, live events, virtual production, corporate video, and more.
by Mary Latvis · Posted
Long a popular, reliable source for video switching systems, the TriCaster series from Vizrt now features a simplified lineup. Live broadcasters and event producers can now access one unified architecture with three tiers: the TriCaster Vizion with 8 or 16 SDI I/O,
by Luke Rollins · Posted
Venus Optics is announcing two new mount compatibilities for its Laowa 180mm f/4.5 1.5X Ultra Macro APO lens: an autofocus FUJIFILM X lens and a manual focus Nikon F lens.
by Steven Esposito · Posted
Angelbird is happy to announce its latest V PRO CFexpress v4 Type A memory cards designed for creatives looking to capture cinema-quality 8K RAW videos, as well as those involved in extended burst photography.
The AV PRO CFexpress v4 Type A cards offer consistent read and write performance across the entire capacity with sustained write speeds of 1000 MB/s and read speeds of 1700 MB/s. In a well
by Freddy Gerngross · Posted
Neumann has announced the release of the new KK 104 A and KK 105 A cardioid condenser capsule heads meant for wireless systems, particularly the newly announced Sennheiser Spectera Handheld Transceivers, along with the Sennheiser EW-D, EW-DX, and Digital 6000/9000 handheld transmitters.
by Zack Young · Posted
Sony is giving a big hand to video shooters with the new RM-DP7 and RM-DP5 cinema line monitor controllers. These 1920 x 1080 7” and 5” monitors have factory-calibrated colors, 2000 nits of brightness, BIG6 setting adjustments, and more. Both feature user-adjustable LUTs, dust and moisture resistance, and assignable buttons alongside a control knob and multi-function dial. They’ll work with the FX5, FX3, FX2, and FX30 at launch, with FX6
by Mary Latvis · Posted
Aimed at high-end, cine-style productions, the new NIKKOR Z CINEMA 50mm T1.9 VV Lens is part of an upcoming nine-lens series covering larger than full-frame sensors. Compatible with RED V-RAPTOR [X] VV cameras, these lenses feature high optical performance and a precise autofocus function. Continuing the fusion of Nikon engineering and RED DIGITAL CINEMA recording/color science, Nikon has also released v2
by Mathew Malwitz · Posted
Throughout the history of photography, few aspects have remained the same. Famous names have come and gone, but few have remained strong in their place as pillars of the industry. Among those names sits Olympus, better known today as OM Digital Solutions.
Founded in 1919 as Takachiho Seisakusho, the future Olympus aimed to domestically produce microscopes. It wasn’t until well into the 20s that the moniker “Olympus” came to be, and it wasn’t a camera that bared the name either—it was one of their microscopes. In fact, their first camera wouldn
by Mathew Malwitz · Posted
Building upon a long history of rangefinders, OM SYSTEM has introduced their latest iteration of the classic camera with the OM SYSTEM PEN. This portable, user-friendly camera combines the simple design of its predecessors with the accuracy and intelligence of newer mirrorless technology.
We had the opportunity to take the new PEN into the field to see how it performs, and how it stacks up in an ever
by Zack Young · Posted
Sirui continues to provide anamorphic innovation with their new Saturn V2 series, 1.6x-squeeze T2.9 cine lenses with full-frame coverage and support for both horizontal and vertical anamorphic shooting. The lenses weigh under 500g and have neutral flaring that adapts to the color of the light source. The initial set consists of a 35mm, 50mm, and 75mm, and is available in Sony E, Canon RF, and L-mount.
In addition to their impressive weight
by Luke Rollins · Posted
Sony is debuting the E-mount system’s first-ever fisheye zoom lens, the FE 8-14mm f/3.5 G lens. By rectifying an existing gap in their lineup, Sony aims to provide hybrid content creators with a compact full-frame optic that captures the fisheye’s unique perspective without sacrificing image quality.
Sony FE 8-14mm