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by Phillip Nichol… · Posted
If you make music, you know that you can’t control when your creativity flashes into existence. Thankfully, the ability to follow the meandering muse is becoming easier and easier via increasingly powerful smartphones, tablets, and user-friendly production apps. With the portable power they give, you can be on a plane or in a train making music and stacking tracks instead of just sitting there being angry that your inspiration lacks the consideration to be well-timed.
So, let’s say that you’ve got these musical ideas in your phone or tablet
by Nicholas Messitte · Posted
So, you want to get into mastering, and you’ve found yourself here. Welcome. Soon we will cover topics like compression and limiting—mayhaps, monitoring and room treatment to boot—but first, we’re going to give you a few insights into a process with tons of tonal impact on the final master. I speak, of course, of equalization.
The General Approach
It is often said that EQ adjustments in the realm of mastering are usually subtle. If you watch a tutorial or stand over the shoulder of a mastering engineer, you’ll frequently notice minute changes
by Phillip Nichol… · Posted
Adhering to proper Internet protocol, the world of online surfers flipped their tops and became obsessed with a new magnificent mystery, an audio clip of a single word. What word? Well, supposedly it was Laurel… or was it Yanny? Everyone from conspiracy theorists to arm-chair quarterbacks weighed in, but it was the audio experts who gleefully separated the chaos from the science.
Each word we speak has unique timbre and envelope properties. Some words like "stick" sound short and sibilant, while others like "umbrella" sound long and full.
by Phillip Nichol… · Posted
Part 1 of Little Things That Make the Song Big laid out some important considerations about song structure, section lengths, choice of instrumentation, and how they change the impact of songs. In Part 2, the focus will be on instrument- and pitch-specific alterations, tempo, groove, and mixing tips. Moving forward, always remind yourself that these elements form a somewhat fragile musical ecosystem. Though identifiable as
by Phillip Nichol… · Posted
No one writes music like you do. No one pens lyrics like you do. No one makes mixes like you do. Those “truths” are self-evident to many, dominating their creative decision-making processes. Perhaps you’re one of those individuals, confident and convinced that your way is THE way. Maybe you’ve established your sound, methods, and routines and see no benefit in changing them. Well, sit down, because we need to talk.
Often the worst sessions are the ones dominated by know-it-all, gimme-the-ball, I’m-gonna-take-the-shot stars. Producers who won’t
by Phillip Nichol… · Posted
Sound Devices has been a long-respected name in the world of professional portable mixers and recorders. Extending its MixPre line is the latest and largest of the group, the MixPre-10T, a 10-input, 12-track recorder. Its feature set is designed to appeal to location recordists, production mixers, musicians, or anyone seeking a blend of high-resolution audio, versatile functionality, and modern convenience in a compact and sturdy package.