Pro Audio
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Posted
Are your synths sounding a bit dry? Are you trying to find ways to make your sound designs more interesting but coming short? Well, fret not! In this video Gabe shows you 3 easy ways to level up your sound using your synth's built-in effects, software plugins or external processors. Oh, and if you stick around until the end, he might even throw in a bonus technique to give your sound that missing je ne sais quoi.
0:00 - Intro
0:33 - On-Board Effects
1:46 - Effect Plugins
3:05 - Hardware Processors
5:52 - Re-Amping
by Freddy Gerngross · Posted
Reverb gives sound verisimilitude. Think of it as the persistence of sound after it is produced—a phenomenon of multiple clashing and diverging sonic reflections whose characteristics are defined by the surfaces and materials they contact. It reveals the nature of a physical space in infinitesimal detail.
Reverb defines the tangible nature of space and our place within it—something that sighted and hearing humans often take for granted. You can infer a ton of knowledge about an environment simply by listening to what it sounds like.
The
by Freddy Gerngross · Posted
Mixing audio is not an exact science—there are many ways to achieve similar results, and what works for one project may not for another. In my ten-plus years of mixing, I’ve had the privilege and opportunity to learn both common and lesser-known techniques from some of the best engineers in the world, as well as the time and practice to discover my own tricks and techniques through experimentation and a few happy accidents. We don’t gatekeep at B&H—here are ten helpful techniques you can use to bring the best out of your mix.
1. Use
by Freddy Gerngross · Posted
Audio engineering is something of an arcane science. Unlike the more tangible fields of engineering, the success of an audio engineer—outside of material wealth—is subjective. When it comes to the work of an engineer, a collapsing bridge is a lot more palpable than a bad mix.
This subjectivity has led to the dissemination of some fantastical claims that defy the laws of physics, acoustics, and mathematics! We can measure nearly every aspect of audio in a tangible way—mathematician Joseph Fourier has proven that all sound can be recreated by or
by Freddy Gerngross · Posted
Choosing a Digital Audio Workstation, or DAW, is a major decision. For beginners, it will define their learning curve, workflow, and operating knowledge—for professionals, compatibility, functionality, and familiarity is key. In this guide, we will give some detailed overviews of the most popular DAWs in the audio industry, what their strengths and weaknesses are, and some of their unique features.
If you’re in a rush, here’s a quick rundown of the best DAWs for a variety of common purposes:
If you’re a songwriter/producer: Ableton, Logic
by Freddy Gerngross · Posted
The Yamaha NS-10 is the divisive and decidedly drab nearfield studio monitor whose story serves as testament to the world-altering power that can be deracinated from the troughs of mundanity. NS-10s aren’t sexy, nor are they rare or expensive—they don’t even sound good. So, what made these humble noisemakers such a mainstay in the audio community for nearly fifty years?
Honest and transparency are two of the most desirable traits in a relationship—
Posted
Join Gabe for a detailed demo of the Erica Synths Steampipe Desktop Synthesizer, a truly different and unique instrument! Gabe breaks down how the unit works as a whole and dives into what you can accomplish with the three core sections: Steam, Pipe, and Reverberator.
0:00 - Intro
1:06 - Sample Song
3:20 - Hardware
4:05 - Front Panel Overview
4:46 - "Steam" Section
5:40 - "Pipe" Section
11:48 - LFO & Reverberator
13:35 - Presets & Patches
14:02 - Triggering the Steampipe
15:09 - Final Thoughts
by Rosie Record · Posted
Jaws, Jurassic Park, Indiana Jones, Star Wars; you can probably hum the theme song to all of these films. John Williams is the master of composing iconic and memorable themes that transcend time. Gladiator, Inception, Interstellar, The Dark Knight; Hans Zimmer's themes are immediately recognizable and stunning. Themes are an incredibly powerful tool in film. They can add another dimension of emotion, meaning, and interconnectedness to the story and characters if executed properly. This synergy creates an enhanced experience while the audience
by Rosie Record · Posted
What is childhood? Now hum it. Most people wouldn’t know where to start, perhaps their mind would flicker to memories of nighttime lullabies or morning cartoons, but this is the kind of challenge film composers face daily. Logically, a good starting point would be a rudimentary happy or sad, then build from there. Happy is generally more upbeat, lighter instruments like guitar or piano, while sad is usually slower, deep-sounding instruments like the cello.
But what does nostalgia sound like? Most things in life are not binary, happy or sad,
by Phillip Nichol… · Posted
Everything about the new Mac Pro tower makes a commanding statement, sending a clear message that Apple is ready to dominate the professional market once again. Not only is it engineered for ultimate performance, but its modular design empowers the demanding engineer with the freedom to customize and expand the Mac Pro effortlessly according to their unique needs. Whether you’re scoring soundtracks, producing chart-topping hits, or mixing on the dub stage for a feature film, the
by Jason T · Posted
Using technology the “wrong” way is at the heart of modern music. Artists have proven time and time again that when it comes to creativity in music, there are no rules. For example, the Roland TB-303 Bassline Synthesizer was originally marketed to solo guitar players as a way to simulate playing along with a real bass guitarist. But in practice, the unit didn’t sound much like a bass guitar, and didn’t do very well commercially. However,
882 Views· Posted
In this video, AB and the team investigate how choosing different music can change the emotion of your film. The short scenes in the video are played without music, then with a couple of different music examples to highlight this change in emotion. Check it out! We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
1,426 Views· Posted
Join AB and Doug Guerra as they discuss the different challenges and techniques with which one is faced when recording and mixing audio for video. They cover topics such as equipment choice, EQ, compression, room acoustics, and more, and there are in-depth demos with screen captures that show how to go from an initial draft to a completed product. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
by Nicholas Messitte · Posted
So, you want to get into mastering, and you’ve found yourself here. Welcome. Soon we will cover topics like compression and limiting—mayhaps, monitoring and room treatment to boot—but first, we’re going to give you a few insights into a process with tons of tonal impact on the final master. I speak, of course, of equalization.
The General Approach
It is often said that EQ adjustments in the realm of mastering are usually subtle. If you watch a tutorial or stand over the shoulder of a mastering engineer, you’ll frequently notice minute changes
by Phillip Nichol… · Posted
Part 1 of Little Things That Make the Song Big laid out some important considerations about song structure, section lengths, choice of instrumentation, and how they change the impact of songs. In Part 2, the focus will be on instrument- and pitch-specific alterations, tempo, groove, and mixing tips. Moving forward, always remind yourself that these elements form a somewhat fragile musical ecosystem. Though identifiable as