Pro Audio
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by Freddy Gerngross · Posted
Solid State Logic has announced the new SSL 1, a compact and affordable audio interface with the same form factor as the powerful and popular SSL 2+. The new SSL 1 promises to be perfect for those with small home studios doing personal projects to those wanting to refine their craft and enter the next level of production.
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Kevin and Andrew explore the show floor at Superbooth Berlin 2026 to show you the latest in software, audio interfaces, and more.
0:00 - Intro
0:34 - SPL Booth
5:46 - Focusrite
7:34 - Elysia
10:54 - Izotope & Native Instruments
by Freddy Gerngross · Posted
Solid State Logic and their affiliate brands Slate Digital and JH Audio announced four new products from their showcase at NAMM 2026: the Origin EVO, UMD 192, VMS ML-2A, and Jessie. Let’s take a look at what makes each one special.
The 16/32-channel SSL Origin EVO is SSL’s next generation analog recording and mixing console, carrying on the legacy of the iconic SSL 4000 series while adding the latest in hybrid workflow technology. The in-line Origin Evo delivers sound that has permeated hit records since the 1980s with the integration of
by Freddy Gerngross · Posted
Yamaha has announced two new lineups of professional audio gear at NAMM in 2026: the URX series of audio interfaces and the MGX series of digital mixing consoles.
The URX series is their newest batch of professional/prosumer-level audio interfaces, offering significantly greater quality and flexibility when compared to entry-level interfaces—all while retaining a compact and intuitive design. All three URX models come standard
by Trevor Collins · Posted
It’s that time of the year again. 2026’s NAMM is starting things off strong with an announcement from Fender of several exciting new audio interfaces with musicians in mind. Co-designed by PreSonus, these interfaces feature specially designed Fender Hi-Z instrument preamps ideal for DI recording and reamping.
Fender Quantum LT 2 2x2 USB-C Audio Interface
First up is
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The Universal Audio Volt 876 USB-C Audio Interface is another one of their products that brings an analog sound to our digital age. Andrew records a track using this eight-channel audio interface, showing you how the various modes can affect your track's sound.
0:00 - About
0:30 - Song Demo - "Cat's Meow"
1:53 - Inputs & Preamps
2:14 - Vintage Mode & 76 Compressor
2:47 - Recording Drums
3:10 - Assitive Auto-Gain
by Gabby Bloch · Posted
One of the most essential pieces of equipment for podcast recording is the audio interface. And when it comes to podcast-centric interfaces, there are a lot of options to consider, from the number of mic inputs offered to the kind of functionality that best suits your needs. We’ve put together a list of the top interfaces on the market for both solo and multi-person podcasts and have made sure to include some portable options for those who are taking their show on the road.
For Solo Podcasting
Audio Interfaces
The highly popular brand,
by Freddy Gerngross · Posted
Antelope Audio’s new Discrete 8 Oryx is a desktop interface intended to be the centerpiece of a home studio or small studio space, perfect for a four-piece band, electronic music producers with hybrid in-the-box and outboard setups, and hybrid mixing and reamping for guitar productions. Featuring eight discrete preamps and an additional channel via ADAT from an external preamp, the Discrete 8 Oryx boasts high-quality AD/DA
by Trevor Collins · Posted
PreSonus is announcing a new edition to its lineup of popular StudioLive mixers. Built as a tour-friendly and compact rack-mountable mixer, the StudioLive SE is a 40-channel digital mixer that can be quickly and easily scaled for installed or mobile audio applications. With comprehensive mixing features, studio-grade audio quality, highly flexible bus configuration, and integrated recording capabilities (plus a suite of advanced software including Studio One Pro), the StudioLive SE is built to keep you fully in control of virtually any live
by Gabby Bloch · Posted
MIDI technology has evolved since the early days. And as it grows, we see more options with respect to connectivity and the creative flexibility it offers. If you’re just entering the world of MIDI, it may be helpful to first check out our article: How to Use MIDI to Sound Like a Pro. But if you’re already familiar with the basics, the following guide will help you get a better overview of the MIDI options available to you.
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Andrew covers some of the bigwigs at SuperBooth Berlin 2025—including Bitwig! You'll learn what you can accomplish with the newest gear from Eventide, AEA, and elysia.
0:00 - Intro
0:12 - Bitwig
3:14 - Eventide
5:26 - AEA
6:54 - elysia
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Gabe checks out and demos gear at SuperBooth so new, some of it doesn't come out until 2026 (e.g., the Korg Phase 8). Possible encounters include the Artemis by Dreadbox, a few intriguing modules, and more!
0:00 - Intro
0:23 - Korg Phase 8
2:49 - CRE8
4:49 - Dreadbox
7:49 - Novation
9:43 - Intellijel
11:00 - Final Thoughts
by Gabby Bloch · Posted
For those of us who have only mixed in stereo, setting up a Dolby Atmos studio can be quite a challenge. Of course, one of the first steps to mixing and mastering in Atmos is to invest in an interface that offers at least 10 output channels. You’ll also need speaker calibration tools and other acoustic adjustment features, which are included in some of the models listed in this article. While working with Dolby Atmos is not cheap, we’ve provided Atmos compatible interfaces in various price categories to meet the needs of every budget.
ORIA
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Audio is an integral aspect of broadcasting, so join Andrew to learn about the newest products and upgrades from Avid, Deity, Sound Devices, Waves, at NAB 2025.
0:00 - Intro
0:13 - Deity
1:52 - DPA
4:23 - Sound Devices
6:59 - Waves
11:27 - Avid Pro Tools
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Good audio starts at the source, and the Focusrite Scarlett 18i20 Audio/MIDI Interface captures crystal clear audio anytime and anywhere. It boasts Focusrite’s 4th generation preamps, multi-channel audio gain and clip safe, wireless app control, and more. Join Gabe for a trial by sound for a live recording at First Live in Brooklyn, and in his home studio.
0:00 - Intro
1:02 - Final Mix
2:45 - Preamps
3:39 - Ins, Outs, Buttons & More
5:15 - Studio Setup
6:07 - Auto Gain
7:27 - Clip Safe
8:33 - Air Mode & Expansion Pack Plugins
10:47 -