Pro Audio
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by Freddy Gerngross · Posted
Solid State Logic has announced the new SSL 1, a compact and affordable audio interface with the same form factor as the powerful and popular SSL 2+. The new SSL 1 promises to be perfect for those with small home studios doing personal projects to those wanting to refine their craft and enter the next level of production.
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Kevin and Andrew explore the show floor at Superbooth Berlin 2026 to show you the latest in software, audio interfaces, and more.
0:00 - Intro
0:34 - SPL Booth
5:46 - Focusrite
7:34 - Elysia
10:54 - Izotope & Native Instruments
by Freddy Gerngross · Posted
Solid State Logic and their affiliate brands Slate Digital and JH Audio announced four new products from their showcase at NAMM 2026: the Origin EVO, UMD 192, VMS ML-2A, and Jessie. Let’s take a look at what makes each one special.
The 16/32-channel SSL Origin EVO is SSL’s next generation analog recording and mixing console, carrying on the legacy of the iconic SSL 4000 series while adding the latest in hybrid workflow technology. The in-line Origin Evo delivers sound that has permeated hit records since the 1980s with the integration of
by Freddy Gerngross · Posted
Yamaha has announced two new lineups of professional audio gear at NAMM in 2026: the URX series of audio interfaces and the MGX series of digital mixing consoles.
The URX series is their newest batch of professional/prosumer-level audio interfaces, offering significantly greater quality and flexibility when compared to entry-level interfaces—all while retaining a compact and intuitive design. All three URX models come standard
by Trevor Collins · Posted
It’s that time of the year again. 2026’s NAMM is starting things off strong with an announcement from Fender of several exciting new audio interfaces with musicians in mind. Co-designed by PreSonus, these interfaces feature specially designed Fender Hi-Z instrument preamps ideal for DI recording and reamping.
Fender Quantum LT 2 2x2 USB-C Audio Interface
First up is
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The Universal Audio Volt 876 USB-C Audio Interface is another one of their products that brings an analog sound to our digital age. Andrew records a track using this eight-channel audio interface, showing you how the various modes can affect your track's sound.
0:00 - About
0:30 - Song Demo - "Cat's Meow"
1:53 - Inputs & Preamps
2:14 - Vintage Mode & 76 Compressor
2:47 - Recording Drums
3:10 - Assitive Auto-Gain
by Gabby Bloch · Posted
One of the most essential pieces of equipment for podcast recording is the audio interface. And when it comes to podcast-centric interfaces, there are a lot of options to consider, from the number of mic inputs offered to the kind of functionality that best suits your needs. We’ve put together a list of the top interfaces on the market for both solo and multi-person podcasts and have made sure to include some portable options for those who are taking their show on the road.
For Solo Podcasting
Audio Interfaces
The highly popular brand,
by Freddy Gerngross · Posted
Antelope Audio’s new Discrete 8 Oryx is a desktop interface intended to be the centerpiece of a home studio or small studio space, perfect for a four-piece band, electronic music producers with hybrid in-the-box and outboard setups, and hybrid mixing and reamping for guitar productions. Featuring eight discrete preamps and an additional channel via ADAT from an external preamp, the Discrete 8 Oryx boasts high-quality AD/DA
by Andrew Eisele · Posted
If you want to learn about 500 Series, you need to start with API. API first started producing recording equipment in the late 1960s and has been on the cutting edge of recording technology throughout the ’70s and ’80s. The company’s large-frame consoles have gone on to become highly sought after and are comparable in quality to SSL and Neve, while providing a unique and sought-after sound all their own. The one thing that separated API from most other large-frame recording console manufacturers was the modular design, where different types of
by Trevor Collins · Posted
PreSonus is announcing a new edition to its lineup of popular StudioLive mixers. Built as a tour-friendly and compact rack-mountable mixer, the StudioLive SE is a 40-channel digital mixer that can be quickly and easily scaled for installed or mobile audio applications. With comprehensive mixing features, studio-grade audio quality, highly flexible bus configuration, and integrated recording capabilities (plus a suite of advanced software including Studio One Pro), the StudioLive SE is built to keep you fully in control of virtually any live
by Gabby Bloch · Posted
MIDI technology has evolved since the early days. And as it grows, we see more options with respect to connectivity and the creative flexibility it offers. If you’re just entering the world of MIDI, it may be helpful to first check out our article: How to Use MIDI to Sound Like a Pro. But if you’re already familiar with the basics, the following guide will help you get a better overview of the MIDI options available to you.
by Sam Mallery · Posted
Voice-overs are an essential ingredient in the creation of dynamic media. They can be an unseen character in a story, or just a friendly voice persuading you to buy pet food. Voice-overs are found in every form of media, from news reporting to experimental filmmaking. Even photo slideshows can benefit from a well-executed voice-over.
Creating a voice-over isn't difficult to do, and the basic hardware required is fairly inexpensive. However, the quality of your voice-overs will only be as good as the methods you use to capture and control the
by Gabby Bloch · Posted
For those of us who have only mixed in stereo, setting up a Dolby Atmos studio can be quite a challenge. Of course, one of the first steps to mixing and mastering in Atmos is to invest in an interface that offers at least 10 output channels. You’ll also need speaker calibration tools and other acoustic adjustment features, which are included in some of the models listed in this article. While working with Dolby Atmos is not cheap, we’ve provided Atmos compatible interfaces in various price categories to meet the needs of every budget.
ORIA
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Good audio starts at the source, and the Focusrite Scarlett 18i20 Audio/MIDI Interface captures crystal clear audio anytime and anywhere. It boasts Focusrite’s 4th generation preamps, multi-channel audio gain and clip safe, wireless app control, and more. Join Gabe for a trial by sound for a live recording at First Live in Brooklyn, and in his home studio.
0:00 - Intro
1:02 - Final Mix
2:45 - Preamps
3:39 - Ins, Outs, Buttons & More
5:15 - Studio Setup
6:07 - Auto Gain
7:27 - Clip Safe
8:33 - Air Mode & Expansion Pack Plugins
10:47 -
by Gabby Bloch · Posted
One of the most important elements to achieving a clean podcast recording is a well-treated acoustic space. In addition to outside noise, reverberation and flutter echoes, which happen when sound bounces between walls, can take away from the professionalism of your recording and potentially put off your listeners. So, we’ve provided a brief list of the best acoustic treatment solutions to keep your room quiet and echo free.
Absorbers & Diffusers
Two types of tools used to manage room reflections are absorbers and diffusers. Absorption will