Pro Audio
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Posted
Kevin breaks down various setups you can use when recording vocals at home, from entry-level to high-end. The first step: understanding basic room acoustics. You'll also learn how microphones work, how to gain stage properly, and much more. Thank you to @mattrelevo for joining us!
0:00 - What We're Covering
0:44 - Treating The Room
1:36 - Audio Interface
2:54 - Dynamic vs Condenser Mic
4:01 - Basic, Bare-Bones Setup
12:30 - Home Studio Setup
17:10 - High-End, Professional Setup
by Gabby Bloch · Posted
There are many factors to consider when choosing your first pair of studio monitors. And though the technical aspects of monitors can get a little complicated at times, it’s probably sufficient to understand the essentials of what a studio monitor can offer in terms of features and sound delivery. So, here’s an accessible guide to choosing the best monitors for your needs. We’ll also touch on how to best position your monitors for accuracy.
What Is a Studio Monitor?
Unlike regular speakers, which tend to have some coloration or biases in the
Posted
Are your synths sounding a bit dry? Are you trying to find ways to make your sound designs more interesting but coming short? Well, fret not! In this video Gabe shows you 3 easy ways to level up your sound using your synth's built-in effects, software plugins or external processors. Oh, and if you stick around until the end, he might even throw in a bonus technique to give your sound that missing je ne sais quoi.
0:00 - Intro
0:33 - On-Board Effects
1:46 - Effect Plugins
3:05 - Hardware Processors
5:52 - Re-Amping
by Freddy Gerngross · Posted
Tube microphones (also known as “valve mics” to those who refer to the subway as “the tube”) are something of a venerated patrician class of microphone technology known for their euphonic sound characteristics and historical pedigree, along with exorbitant prices that induce nightmares for recording studio accountants—discontinued models like the Telefunken ELA M 250E command upward of $30,000, making a brand-new Sony C-800G
by Freddy Gerngross · Posted
With their history and pedigree, tube microphones have built a reputation for being the delicate, rare, and expensive stuff only the wealthy or most prestigious of recording studios can afford to have in their arsenal. While that was true in the past (and still is for some tube mics), many audio equipment manufacturers are cloning vintage microphone architecture or producing their own designs that are affordable enough to be
by Gabby Bloch · Posted
If you’re thinking about building a home recording studio or upgrading your existing setup with better gear, there are a plethora of options at B&H that can take your production to the next level (maybe at the cost of fueling your gear-acquisition syndrome). Here are some of our favorite pieces of music technology we have on offer, covering everything you’d need to start working on your own music and recording projects, or bring your productions to the next level.
MIDI Controllers
Novation Launchkey MK4 Series—A Workhorse Controller
The
by Freddy Gerngross · Posted
Wireless microphones are an incredibly popular and convenient solution to many of the problems that come with traditional wired setups: they require far less cabling, and that means fewer issues with shorted wiring, lowered chances of cable-related tripping, and a higher number on the “Days Since Last Incident” sign. While they can be a bit more difficult to onboard, once the system is up and running, audio engineers and A/V technicians appreciate the fast setup time and decreased storage space that wireless mics afford. So, with all the
by Freddy Gerngross · Posted
Now that we’ve discussed the basic gear you need to put on a live show, lets look at the specific kind of gear and knowledge you’d need to set up a professional event at a large venue, stadium, or arena. Whether you want to gain more knowledge in pro live sound or you’re just curious, you’re in the right place!
If you’re a beginner or want more context for this article, go ahead and check out the
by Freddy Gerngross · Posted
The PA system is the linchpin of any venue or event space, whether it’s the hottest new night club, this weekend’s big house party, or the screening of the next indie film sensation. It’s integral to the experience of social activity—and because music and sound deserve to be clear, coherent, and exhilarating, the PA system needs to serve up the goods by being powerful, reliable, and properly scaled for the event.
In our
by Freddy Gerngross · Posted
When it comes to putting on a live show, knowing the specific gear to get and how to use it can be a daunting prospect. There are tons of different microphones, speaker systems, monitoring setups, and mixer environments, all of which are suited for different types of performance settings. And that's not even including power distribution, cabling, and other miscellaneous equipment you'll need to put on a proper event. But fear not reader. In this guide, we'll go over all the gear you'll want to consider and why, whether you're putting on
by Freddy Gerngross · Posted
Realistic artificial reverbs and other time-based processors are commonplace in today’s music technology, so it’s easy to overlook how much of a technical marvel it was when reverberation could be divorced from the physical location of a performance, and how quickly it transformed recorded music. From Bill Putnam’s reamping technique using physical echo chambers, to the Brobdingnagian 600-pound EMT plate reverb machine, to the complex digital convolution and algorithmic reverbs we have today, artificial reverbs have been sculpting the sonic
by Freddy Gerngross · Posted
Like anything worth creating, solidifying the process of a project is key to success. Often, the ambitious work of aspiring music producers can get bogged down from a lack of organization. Projects can bloat into dozens of unnamed tracks processed with reckless abandon, and audio and MIDI clips get chopped and sliced into a charcuturie board of chaotic (un)organization.
For the fever-pitched producer in a flow state, this chaos can be managed during the session (to an extent). But what if they were to step away from the project and come back
Posted
Drum sounds are an integral part of a song's production. However, recording drums at home presents its own unique challenges. Andrew provides solutions, such as microphone choice and placement.
0:00 - Introduction
0:35 - Challenges of Recording Drums at Home
2:15 - Many Parts, One Instrument
2:45 - Drum Tuning and Head Choice
3:25 - 1 Mic, 2 Options
6:00 - 2 Mics (Glyn Johns)
8:08 - 4 Mics (Glyn Johns w/kick & snare)
10:29 - 4 Mics (Spaced Pair w/kick & snare)
12:30 - 4 Mics (Blumlein Pair w/kick & snare)
13:18 - Options for Using
by Freddy Gerngross · Posted
Since its founding in 1992, DPA Microphones has gained a prestigious reputation in the audio industry for their mics' exceptional quality, crystalline transparency, and rugged and reliable build quality. And while DPA's microphones have found their way onto the stage with Beyonce, onto the sets of Game of Thrones, and into the concert halls of the world's greatest orchestras, what's perhaps most impactful to our world is the contributions they've made to the scientific community: DPA's microphones have enabled advancements in medicine,
by Freddy Gerngross · Posted
Reverb gives sound verisimilitude. Think of it as the persistence of sound after it is produced—a phenomenon of multiple clashing and diverging sonic reflections whose characteristics are defined by the surfaces and materials they contact. It reveals the nature of a physical space in infinitesimal detail.
Reverb defines the tangible nature of space and our place within it—something that sighted and hearing humans often take for granted. You can infer a ton of knowledge about an environment simply by listening to what it sounds like.
The