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Posted
Landscape and wildlife photographers swear by photographing at sunrise and sunset. But, there is another time of day when you can shoot nature photography and still get beautiful results. Join Sam and Matt in the Everglades to learn how to capture photos both in golden hour and blue hour.
0:00 Intro
0:52 Why Sunrise & Sunset?
6:44 Blue Hour for Landscapes
9:34 App for Identifying & Finding Birds
10:13 Mid-Day Wildlife & Landscapes
11:52 App for Tracking the Sun & Moon
12:31 Time of Year
13:26 How Early to Arrive
14:03 Can You
by Bjorn Petersen · Posted
In a world where photographers are being asked to capture video and filmmakers need to shoot photos, having one tool that can do both is a major asset—especially in the world of wedding photography where it’s often the same team putting together both the photographs and the video. For this type of scenario, Sony’s latest camera solutions offer some of the best options for hybrid shooting.
Here are some of the best
Posted
Every Christmas since 2019, William King has photographed seasonal “Holiday Windows” displays of Macy’s, Bloomingdale's, Bergdorf Goodman, and Saks Fifth Avenue. Using a fisheye lens, William captures these conceptual window designs.
0:00 - Intro
0:50 - Bloomingdales
8:41 - Bergdorf Goodman
16:53 - Macy's
26:23 - Dior
29:03 - Sack's Fifth Ave
30:35 - Other NYC locations
34:10 - Portrait work
41:06 - Closing
by Shawn C. Steiner · Posted
Wedding season is upon us and whether you’re a first-time wedding photographer or an experienced pro, you’re likely debating which lenses you should keep or add to your daily kit. Sony makes deciding even tougher with an incredible variety of glass offerings for their E-mount mirrorless system.
Don’t worry though, we’re here to help with our picks for the best Sony lenses for wedding photography.
The New f/2 Zooms: FE 28-70mm f/2 GM and FE 50-150mm f/2 GM
Released in late 2024 and early 2025 respectively, the
by Mathew Malwitz · Posted
It's not every day that a piece of photography history passes through B&H. Sure, every camera and lens carries a little bit of the past with it, from a DSLR made in 2015 to an old rangefinder from the 50s. History lives in the images they've captured and the hands they've been passed through. That said, there are some cameras and lenses that stand out among the rest. Especially when they come bearing the serial numbers 0000001, 0000002, and 0000003.
by Shawn C. Steiner · Posted
Pop on a pair of (decent) sunglasses and not only are your eyes less strained, things just look better. The reason for this is likely the polarization effect. Colors may appear more saturated, bright blue skies can take on a deeper hue, and some pesky reflections just vanish. All of these can benefit certain photographs and make the circular polarizer filter one of the best—and most difficult—filters to use.
Exactly What Does a Polarizer Do?
It’s
Posted
“Live From New York, it’s Saturday Night!” That single sentence has become a catchphrase for devotees of comedy and popular culture for more than 50 years—generations of fans who willingly turn their attentions from the height of weekend revelry to the televised antics of Saturday Night Live.
Above Photograph © Mary Ellen Matthews
As this illustrious broadcast wraps its 51st season, we’re releasing an encore of our 2025 chat with SNL’s photographer-in-residence Mary Ellen Matthews, while we busy ourselves backstage to bring you some exciting
by Luke Rollins · Posted
A legacy mount gets a pair of modern optics with Thypoch’s latest lenses for the Leica M-mount, the Ksana 35mm f/2 ASPH and 21mm f/3.5 ASPH for full-frame cameras. Lightweight and compact, the two wide-angle prime lenses are robust manual-focus options for travel
Posted
In a world where photography has become so popular, it can be a challenge to stand out from the crowd. Ben Franke’s work capturing the excitement of parkour, is full of energy and passion. Derek sits down with Ben to discuss his creative process and the nuance of approaching photography at different speeds.
0:00 - Intro
1:48 - How Ben uncovered his photography style
9:15 - What was Ben shooting before this
11:40 - Personal projects that lead to opportunity
20:39 - Bike life
29:52 - NY moments
38:31 - The power of movement in images
46::01 -
by Mathew Malwitz · Posted
The wait is finally over, and Sony has unveiled not one, but two new game changing imaging tools to their arsenal. Introducing the a7R VI mirrorless camera and the FE 100-400mm f/4.5 G Master lens. The perfect marriage of speed and resolution.
by Luke Rollins · Posted
Sports photographers are newcomers to the a7R party. Not because they're late to the series, but because until now the camera line simply wasn't well-suited for action, what with its processor-hungry file sizes slowing things down. Sony aims to change all that with the a7R VI Mirrorless Camera, the company's latest 66.8MP full-frame shooter offering unprecedented speed for the series.
by Mathew Malwitz · Posted
The a7R series has long been popular among wildlife photographers for the big files and associated crop-ability so to speak. That said, one area where the R could use some improvement is in the speed department. After all, it was never designed to be a wildlife camera; Its bread and butter was always resolution with landscape, portrait and studio photographers making the most use of all the extra detail. But, as tends to happen, Sony bends the rules.
by Luke Rollins · Posted
Video performance was a stealth strength of the a7R V, and in this next-generation a7R VI Mirrorless Camera, the improved performance moves the camera from “if you know you know” to video headliner. Sony’s latest acknowledges the new hybrid table-stakes for professionals and creators by delivering video quality worthy of the “R” imprimatur.
by Luke Rollins · Posted
Since its inception, the a7R series has been a mainstay of portrait photographers, for whom its high-resolution imagery benefitted large-scale prints in fashion, beauty, and art contexts. With the release of the a7R VI Mirrorless Camera, Sony has introduced speed into the portraitist's toolkit, eliminating the tradeoff between resolution and processing and making the act of portraiture one of agility and discovery.
by Mathew Malwitz · Posted
Wedding photography is a blend of genres, sort of a marriage (pun intended) between portrait, street, and occasionally even landscape photography. There’s always a bit of mystery when it comes to lighting, and we need to be ready for anything. In a reception hall, you may dimly chandeliers, bright LEDs, or even pulsating, colorful strobes from the DJ booth. All of these variables, and you may not be able to use flash! What can you do?