Photography
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Posted
Tripod manufacturer Manfrotto and the word “innovation” are synonymous, since the company is constantly creating products that allow photographers and videographers more versatility when it comes to buttressing gear with tripods and support systems. While some companies focus on upgrading things like twist locks or introducing new tripod leg colors, Manfrotto is busy giving users an entirely new level of interoperability. Its innovative MOVE ecosystem is designed to allow for easy customizing of tripod heads, gimbals, sliders, and more.
Along
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Photographer Marina Williams, known for her colorful and creative portraits, had the opportunity to test the Canon EOS R6 Mark III. Marina reflects on her creative journey and explains why the EOS R6 Mark III is a worthwhile upgrade for photographers.
0:00 - Intro
0:45 - About Marina
8:40 - Creative direction & styling
13:38 - Get variety & posing
16:03 - Marina's work today
18:39 - Upgrading to the Canon EOS R6 Mk III
20:39 -
by Mathew Malwitz · Posted
It is probably safe to say that many of us photographers have, either with our cameras or smartphones, tried to capture a close-up image of an insect, flower, toy, or other object. We have an idea of what we want this photograph to look like as we prepare to capture the image. We've seen and admired beautiful close-up images before but, when we nose the camera lens up to the object, we see nothing but a blur—the lens can't focus close enough to
by Mathew Malwitz · Posted
RICOH has unveiled a new variant of their much sought-after point-and-shoot camera with the GR IV HDF. While looking largely the same, this unique model offers new features that give users more creative control and a new accessory hand strap.
Ricoh GR IV HDF Digital Camera
The GR IV HDF retains the exceptional image
by Todd Vorenkamp · Posted
Choosing a lens is a highly personal choice, and that’s especially true for wildlife photography. This is in the realm of the telephoto lens after all. While almost any focal length lens works for landscapes and other types of photography, in general, when it comes to photographing animals in the wild, you'll want to have the longest reach you can. In this guide, we’re going to discuss the factors one should consider when purchasing a lens for wildlife photography.
Focal Length
The first and most straightforward factor to consider is focal
by Mathew Malwitz · Posted
Good lighting is essential to creating a strong, visually pleasing image. This is as true for naturally lit outdoor shots as it is for studio portraits. For individual or even couples portraits, many photographers make use of on-camera flash or compact, battery-powered strobes to supplement natural light and fill shadows, but how do we situate these in the scene? What light shaping tools should we use? Groups alone can be tricky for a plethora of reasons. Whether it be getting everyone to smile, getting kids to look at the camera, or the
by Todd Vorenkamp · Posted
A gift guide for something everyone already gets (for free) in the box with their new camera? Yes! Almost every camera on the market today comes with its own camera strap. For the most part, those camera straps are pretty solid. But, hear me out, aftermarket camera straps are a fantastic upgrade to your or a loved one’s camera.
Need more convincing?
Best Reasons to Ditch the OEM Strap
As serviceable and perfectly fine as the strap
Posted
Sam breaks down why the Nikon NIKKOR Z 24-70mm f/2.8 S II Lens allows for versatility, improves upon its predecessor, and how it affects your workflow. Portrait, wedding, and street photographers, as well as filmmakers, could all do with a 24-70mm f/2.8 lens in their kits, and you'll learn how this zoom lens from Nikon provides great image quality and makes your life easier.
0:00 - Intro
0:29 - Portraiture (Bokeh)
1:30 - Videography (Internal Zoom & VCM Autofocus)
2:44 - Street Photography (Weight, Buttons, Switches, Control Rings)
4:27
by Mathew Malwitz · Posted
Back in the good old days, during the infancy of autofocus, you had two options when it came to autofocus: On or Off. Now, with advancements in technology, many cameras, even simple point-and-shoot cameras, have a dizzying array of high-tech autofocus modes to choose from. Honestly, they can be intimidating to even to the most experienced shooters.
Before we dive in, be forewarned: almost every manufacturer has proprietary autofocus technology, nomenclature, and features. Even more confusing, the interface to access these modes can often
by Todd Vorenkamp · Posted
If you are stranded on a desert island and can only have one camera lens with you, which lens would you choose? That may depend on your specific area of expertise, but for the average photographer, the 50mm focal length is an essential tool to have in your kit. The 50mm prime lens, or “Nifty Fifty,” features a field of view close to that of the human eye, and delivers exceptional image quality, subject isolation, and background rendering, all in a compact package.
The Origin of the “Nifty Fifty”
In the bygone era of film SLR photography, many
by Mos Khan · Posted
Camera bags, just like cameras and the photographers who use them, are not created equal. That means there’s no one-size-fits-all solution when it comes to finding the perfect bag. Most photographers will find that the type of bag they need varies from one shoot to the next—and may even depend upon where they’re going and what they’re shooting.
With so many bags out there to choose from, finding the one that’s perfect for your
by Mathew Malwitz · Posted
What better place to spend a Saturday morning than the zoo. You can enjoy some time outside, all while seeing a variety of both local and exotic animals you'd otherwise never dream of encountering. Zoos also are great place to try your hand at photographing wildlife! In this guide, we're talking about taking our camera to the zoo to capture natural looking images of animals in their element! We'll be covering what you need as well as tips and tricks that'll help you capture stunning, natural looking images of animals.
Above photograph © Mathew
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Strobe lights or continuous lights: one of those eternal photography debates that never gets solved. So, which type of artificial lighting do you choose for your photography kit? Each type has its strengths and weaknesses, pros and cons. Plus, the type of work you do—product photography or hybrid shooting—will affect your choice. Sam is in studio with the Godox Litemons LE300Bi Bi-Color LED Monolight and the
by Bjorn Petersen · Posted
Photographers are a tricky bunch to shop for, especially those avid shooters who seemingly already have all the gear they need. Cameras, lenses, bags, tripods, and so on—it’s a tough task to find a photo-related gift for the photographer who already has it all. Since the Pope’s Leica is no longer on the market, here are some ideas for not-so-common gift options sure to please all types of photographers.
Lensbaby Special Effects Lens
Sure, your
Posted
Canon Co-Lab ambassador Juliana Broste, also known as TravelingJules, talks about her recent adventures with the EOS C50 in hand. She goes deep into why features of the Canon C50 are perfect for the hybrid shooter.
0:00 - Intro
2:17 - Jules' journey
10:23 - Lets talk shop / Gear list
18:02 - Using the Canon C50 in the field
26:30 - Workflow
30:30 - Shooting vertical
34:58 - Shoot loose / Open Gate
38:46 - Canon C50 photos
45:35 - More video footage from the Canon C50
52:02 - Audio
54:15 - Closing
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