Photography
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The 2022 OPTIC Outdoor, Photo/Video, Travel Imaging Conference or just “OPTIC 2022” is live and in-person again and we are excited to welcome the event’s director, David Brommer, to the program. Brommer will give us a sense of the updated conference, which after two years online is now a fully hybrid in-person and online event. Of course, we at the B&H Photography Podcast look forward to being back at the live
by Cory Rice · Posted
Sony ambassador Colby Brown is back with Maria Perez and Matt Zefi, from B&H, to explore the breathtaking landscapes and diverse wildlife of Ecuador’s Amazon jungle and Cotopaxi Volcano. Perez explains: “We decided to head to Ecuador because we wanted to focus on the evolution from landscape to wildlife photography. After all, you should always be ready to see an awesome animal while shooting beautiful landscapes.”
The YouTube series will cover a variety of important topics when embarking on an adventure of such
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Join Sony Artisan of Imagery Colby Brown to learn his tips, techniques, and settings to help you create images with more impact.
Click here for more on Optic 2022.
Sponsored by
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Nikon Ambassador Kristi Odom is in the field to teach you how to compose striking wildlife photographs, how to choose your camera settings, and how to be creative in your wildlife photography. Using the Nikon Z9, she photographs wolves, buffalo, and other species of wildlife.
On what kind of wildlife adventure do you want to go?
Sponsored by Nikon
More videos in
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What's in Nikon Ambassador and wildlife photographer Kristi Odom's camera bag? She'll cover every piece of gear she packed for this Yellowstone National Park trip, such as cameras, lenses, accessories, and even clothing!
More videos in this photography masterclass
Introducing the Kristi Odom Wildlife Photography Series!
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Introducing the Kristi Odom wildlife photography master class! Join Kristi in Yellowstone National Park for four tutorials on photographing wildlife: camera gear, safety and ethics, composition and creativity, and editing. If you're a beginner or intermediate-level photographer, you won't want to miss these tutorials!
Have you photographed wildlife, or this is a new venture for you? Tell us about your experience in the Comments section, below!
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David Swindler shares his must-know tips on how to use long telephoto lenses for outdoor photography, from landscapes to wildlife to portraits. In this video, he describes the process for choosing a telephoto zoom lens, how to hold one, how to balance it on a tripod, and more!
Which of these lenses do you want to use on an outdoor photoshoot? Tell us why in the Comments section, below!
by John Harris · Posted
There is still one basic truth about photographing sports—access is everything. If you are not near the action, you will not get a photograph. Does this mean you need a sideline pass at the Super Bowl or a family member in the NBA? No. Those are good to have, and media credentials for a Super Bowl is a professional feather in your cap, but “access” can be found in many places and many ways. A good sports photo does not even have to be on-field action, so do not let a lack of access intimidate you, but understand that to join the upper echelons
by Cory Rice · Posted
Ask a roomful of birders their favorite season and you probably won’t hear many praises of winter. As temperatures drop, the appeal of venturing outdoors for extended periods of time diminishes for all but the most dedicated photographers and birdwatchers. However, winter provides unique benefits for the bold and bundled. Leafless trees make for easier spotting and white snowy environments make for beautiful settings for photographs. Best of all, winter welcomes its own seasonal lineup of characters, if you know where to look. This article
by Brian Zwiebel · Posted
The technological advancements in photography could hardly be imagined by photographers using slow film with manual focus, non-stabilized lenses just 20 years ago. Go back further and cameras did not even have built-in meters. Photographers had to use an incident meter to determine a proper exposure, then dial-in the settings manually. Everyone had to know how to use manual mode!
Above image: Black-billed Magpie; manual mode; 1/2000 second; f/8; ISO 800
The above image was the ultimate exposure challenge. A high-contrast bird was flying in
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Wildlife photographer and Nikon Ambassador Kristi Odom provides some insight on how she approaches bird photography, hopefully helping you elevate your own bird photos beyond the typical portrait.
Are birds your main subject? How do you approach bird photography? Let us know in the Comments section!
by John Harris · Posted
There is no wildlife or bird photography without a camera and lens, but I am here to tell you not to buy another piece of gear. It is not the camera or lens that will make you a better photographer; rather, the three things that will improve your wildlife photography are: to know your subject better, to know your gear better, and to know yourself better.
Subject
Of these three, I think the first to address is to know your subject better. And that means research—reading, tutorials, conversations—and time in the field, with or without your
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Join David Wilder in the Canadian Rockies as he shares five tips for respectful wildlife photography! Should you use a fixed telephoto lens or a zoom telephoto lens? Do you need a guide? What should you research beforehand? How do you camouflage yourself? What kind of photography accessories do you need for stable photos?
What wildlife photo gear do you use? Share your thoughts or ask us questions in the Comments section, below.
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If you have a demanding outdoor photoshoot coming up, it’s necessary to prepare beforehand. Professional photographer Jon Dunaway shares his outdoor and wildlife photography tips so you’re 100% covered for your next photo shoot!
Do you have any tips to share? Inform us in the Comments section!
by Caleb Quanbeck · Posted
Getting close enough to wild animals is one of the greatest challenges a wildlife photographer faces. So how do you solve this problem? The way most wildlife photographers do is to buy a telephoto lens with as much reach as their wallet allows. Today, a fairly economical way to enter the realm of the super-telephoto lens has been via the family of very nice 150-600mm lenses from brands like Sigma and