Photography
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by Luke Rollins · Posted
By now, the film resurgence has eclipsed its charming underdog status to become a full-blown front in what has become an all-out, open revolt against the smartphone and its visual aesthetics. What distinguishes the “film look” from the digital—texture, material imperfections, color magic, and the analog halo of yesteryear—comes at a price tag as resurgent as the medium itself.
Despite the contradiction (or perhaps because of it), the pursuit of the film look in a digital format has become something of a cottage industry, with manufacturers,
by Mathew Malwitz · Posted
Taking photos has never been easier, whether you're using a smartphone, point-and-shoot, or mirrorless camera. It's a fact that no matter where we go, we almost always have some form of camera on hand, and while the opportunity for image making has changed, what hasn't changed is what makes a photo good.
The simple answer is photography composition, or the arrangement of elements in your frame. This concept can be confusing as all art subjective. That said, think of movies and music and how certain combinations of sounds and storytelling
Posted
Photographing an osprey diving for a fish is one of the most exciting challenges in bird photography. In this video, Matt heads into the field to share his approach to finding and photographing ospreys, from choosing the right position and camera settings to tracking a fast-moving bird through a dive.
00:00 - How to Photograph Osprey
00:44 - Where to Find Osprey
01:14 - Photographing Osprey Responsibly
02:09 - Positioning Yourself for the Shot
03:05 - -Capturing an Osprey Catching a Fish
04:00 - Best Camera Settings for Osprey
05:03 - How to
Posted
Ever wonder what waveform, false color, zebras, or focus peaking actually do? In this video, Sidney breaks down the camera monitoring and assist tools that can help you get more accurate exposure, nail focus, and properly frame your shots while filming.
00:00 - What Are Camera Monitoring Tools?
00:16 - Understanding IRE 00:39 Histogram
01:17 - Waveform
02:26 - Zebra Patterns
03:14 - False Color
03:46 - Focus Magnification
04:09 - Focus Peaking
04:42 - Frame Guides & Aspect Ratios
05:12 - Final Thoughts
by Mathew Malwitz · Posted
The days of the large, dedicated photography studio being the norm are numbered, with many professionals preferring alternatives or using smaller spaces within their homes. This opens a Pandora’s box of tripping hazards and cramped conditions as light and background stands sit sprawled across the floor. These stands aren’t designed for these spaces, nor are they advantageous for more permanent fixtures.
At B&H, we understand the struggles of making do with small spaces, and while we’ve expanded over the years, we know that’s not
by Mathew Malwitz · Posted
Following a relatively quiet summer, Nikon has just unveiled a new yet rather unexpected mirrorless camera. While the rumor mills have been spinning, none spun the news of a slimmed -down FX everyday camera. Introducing the Nikon Z5 IIC, a high-performance full-frame mirrorless camera that offers total creative freedom across any scene.
Nikon Z5 IIC Mirrorless Camera
by Luke Rollins · Posted
At its most basic, tethered shooting involves connecting your camera, wired or wirelessly, to your computer as you shoot. You’ve likely seen it in some behind-the-scenes video for a professional studio shoot, or you just have a friend who swears it’s the best thing since sliced bread. Tethering is a shooting technique that can benefit many a photographer’s workflow significantly, though upon first hearing of it, the idea of tethering can be something that first requires a bit of education. Hopefully, this introduction will help get you started
by Mathew Malwitz · Posted
Wildlife photography is one of the most therapeutic and rewarding genres of photography and it’s also one of the most popular. There’s just something so special about being able to witness the magic, and with new camera tech, wildlife photography is easier than ever. That said, the thrill of the shot can overshadow good decision-making, leading to unethical practices. But what are ethical practices?
Take nothing but photographs, leave nothing but footprints—an adage well-known by nature enthusiasts of all levels, but not all that practical.
by Mathew Malwitz · Posted
Panasonic just announced the LUMIX S 20mm f/2.5, a full-frame ultra-wide angle prime lens. Whether you're a traveling landscape photographer or someone who loves shooting dramatic street portraits, this lens might just be the perfect tool for the job. Let's see how it stacks up.
Panasonic LUMIX S 20mm f/2.5 Lens
The ultra-compact
by Mathew Malwitz · Posted
In a world where mirrorless cameras seem to keep getting bigger, Canon chooses to remember why the tech was so popular in the first place. Geared toward aspiring photographers and those looking to shoot with a smaller footprint, the EOS R8 Mark II stands out among the crowd, delivering full-frame results in a compact, lightweight body. Though this time, it’s received a bit of a facelift.
by Luke Rollins · Posted
Canon has announced the second generation of its entry-level full frame mirrorless camera, the R8 Mark II. Having spent some time with the camera, we can speak to some of its most apt use cases: portraits, landscapes, street photography, and video.
Canon R8 Mark II
by Mathew Malwitz · Posted
Sony's super-telephoto lenses have long been divided into two well-defined categories. At one end of the spectrum, you have a variety of relatively affordable super-zooms ranging from 100mm to 800mm. On the other end sit the primes, highly sought-after optics that are just as cumbersome as they are expensive. For years, these categories have been separated. That all ends today with the unveiling of not one but two ultra-lightweight lenses. Introducing the FE 400mm f/4.5 and FE 600mm f
by Luke Rollins · Posted
Venus Optics is announcing two new mount compatibilities for its Laowa 180mm f/4.5 1.5X Ultra Macro APO lens: an autofocus FUJIFILM X lens and a manual focus Nikon F lens.
by Luke Rollins · Posted
Sony is debuting the E-mount system’s first-ever fisheye zoom lens, the FE 8-14mm f/3.5 G lens. By rectifying an existing gap in their lineup, Sony aims to provide hybrid content creators with a compact full-frame optic that captures the fisheye’s unique perspective without sacrificing image quality.
Sony FE 8-14mm
by Mathew Malwitz · Posted
The bald eagle, one of the most regal birds of prey, has a secret. It’s notably one of the most difficult subjects to expose for. If we trust the camera in an automatic mode, we’re likely to get either an overly bright head, or a body that’s too dark in shadow to see. The only reliable way to capture good exposures of these birds is to expose to the right.
Mathew Malwitz
This technique is as useful as it is controversial,
