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by Luke Rollins · Posted
Third-party lens manufacturer Tamron announces the last of its “trinity” of premium G2 full-frame zoom lenses, the 16-30mm f/2.8 Di III VXD G2. A fast, wide-angle zoom with high-end optics and a lightweight build, the travel and everyday-friendly lens delivers professional-grade imagery in street, landscape, architecture, and astrophotography applications. The versatile lens is
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At Sony Kando this year, we tested the new Sony FE 16-35mm f/2.8 GM II Lens for landscape photography. Landscape photographers will appreciate this wide-angle zoom’s features, such as better sharpness at the corners, an 8.6" minimum focus distance, and an overall smaller form factor.
0:00 - Introduction
0:27 - Features
2:04 - Design
2:33 - Final Thoughts
What will you be photographing with the Sony FE 16-35mm f/2.8 GM II Lens? Let us know in the Comments section, below.
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Stargazers rejoice! Sigma has unveiled the 14mm f/1.4 DG DN Art lens, a bright, ultra-wide prime engineered for capturing the night sky. Compatible with Leica L and Sony E-mount mirrorless cameras, this ultra-wide, astro-centric lens is equally capable of
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Understanding the nuances of different types of available light will help you take better landscape photos. Matt Zefi offers some tips on searching for light and creating photos depending on the time of day and weather.
0:00 - Overview
0:27 - When Does the Best Lighting Occur?
1:07 - Lighting Types & Composition
3:05 - Tips: How to Look for Light
Which conditions do you prefer: golden hour, an overcast day, or hard sunlight? Let us know in the Comments section, below.
by Jill Waterman · Posted
This holiday season, photography and nature lovers alike have a rare opportunity to acquire world-class fine art prints while simultaneously helping to support Conservation International’s essential mission to “spotlight and secure the critical benefits that nature provides to humanity.”
Above photograph © Renan Ozturk/Prints for Nature, @renan_ozturk
This unprecedented print sale was created by National Geographic photographer Ami Vitale, who used her tremendous influence to source donated images from more than eighty-five of the world’s top
by Cory Rice · Posted
If you’ve visited an art museum lately, you probably noticed that contemporary artists have been creating photographic works on an increasingly large scale. With advancements in digital printing, the ability to create massive photographs on practically any surface has become much easier than in the darkroom days. This has led to an explosion of creativity and larger-than-life photographs appearing in myriad forms. For the purpose of this article, “fine art” is used to designate photographs created on unconventional media at a large scale.
by John Harris and Cory Rice · Posted
Everything we do at Baxter St is based in the community we serve. It's a common theory, but we hold a lot of value in the notion that photography is the most democratic art medium. To that end, we truly believe that uplifting and empowering underrepresented and emerging voices can shift narratives, ignite change, provoke conversation, and build a common vision. Photography, to us, is power.
— Michi
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On this week’s episode of the B&H Photography Podcast, we welcome two photographers who are part of the diverse and thriving cultural and artistic life of The Bronx. Rhynna Santos and Michael G. Young are both members of the Bronx Documentary Center and, today, we discuss their individual bodies of work, the role the BDC plays in their lives and community, and we talk a bit about what makes The Bronx so boogie-down.
Talk about committed—not only is
by Jill Waterman · Posted
For photography lovers in New York City, the coming of spring signals more than just the promise of nature’s reawakening and added daylight hours—it heralds a chance to be swept up in the fervor of thousands of fine art photographs on view at The Photography Show, organized by The Association of International Photography Art Dealers (AIPAD).
Now in its 39th year, the AIPAD show has been an annual rite of passage for me since the days when it spread across two floors of the New York Hilton (from 1994 to 2005), and when its original February