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We’re trying out Rycote’s model-specific “Perfect For” Series of windshields and shock mounts for popular Sennheiser and Rode microphones.
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While we generally recommend getting closer to the subject and using a dual-system solution to avoid recording the camera's noisy preamps, in many one-shooter, run-and-gun situations, that's not always possible. This video is designed to give you an idea of what some of these microphones sound like in such situations. We begin by listening to the poor audio recorded from the built-in mic on a DSLR, followed by examples of how six camera-mountable microphones sound, individually. The featured microphones include:
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Zoom sent shock waves through the pro audio world last year with the introduction of its flagship H6 recorder and its breakthrough modular microphone system. Although still very young, the H6 has already become an industry standard and a go-to piece for professional and enthusiast videographers, journalists, engineers, and musicians alike. Now, just a year later, Zoom brings yet another creation to the table in the form of the new H5 Handy Recorder—a