About 26 filtered results
641 Views· Posted
In the following video, Allan Weitz walks us through the features of Rokinon’s latest full-frame lens releases, a 135mm f/2.0 ED UMC for stills shooters and the 135mm T2.2 ED UMC Cine DS for videographers, available in a variety of mounts for DSLR and mirrorless cameras. This video covers the benefits of this medium-telephoto focal length and the capabilities of the
18,832 Views· Posted
In the following video, Allan Weitz, of B&H, gives us a first look at the brand new Olympus OM-D E-M5 Mark II mirrorless Micro Four Thirds interchangeable lens digital camera and the redesigned Olympus M.ZUIKO Digital ED 14-150mm f/4-5.6 II zoom lens. The video shows the improvements with which the OM-D E-M5 Mark II has been bestowed, over the original OM-D E-M5 camera, including an increased number of custom controls, a fully articulating LCD screen, several features previously only found on the flagship OM-D E-M1, as well as some unique
1,492 Views· Posted
In the following video, Allan Weitz, of B&H, introduces the Olympus M.ZUIKO DIGITAL ED 40-150mm PRO Lens, a weather-sealed 80-300mm equivalent zoom for Micro Four Thirds cameras. This video covers the lens’s superb optical design with multiple aspherical and ED elements, as well as a ZERO coating. Weitz also describes the benefits of the Dual VCM autofocus system and the minimum focus distance of just 27.55". Additionally
345 Views· Posted
Philip Bloom stopped by B&H to do a two day workshop sponsored by Sony on October 5th and 6th. Twenty-five hand picked students were all provided Sony a7S mirrorless cameras to use around New York City.
6,964 Views· Posted
In the following video, Larry Becker, from Kelby One, takes a look at the iUSBportCAMERA2 from Hyper++Drive, a compact device that adds or expands the Wi-Fi remote control functions of your Nikon or Canon DSLR camera. The video explores the controls and features of the device, including its compact size, LCD screen, and dual USB 2.0 ports. Becker guides you through the set-up processes and how to connect to and
905 Views· Posted
In the following video, Rob Rives, from B&H, demonstrates the Focusrite iTrack Dock for the iPad. He explores the dock’s form factor, input capability, and monitor control knob. The video showcases the dock's microphone preamps, taken from Focusrite’s Scarlett interfaces, and Rives mentions its maximum recording resolution of 24-bit/96kHz. He also demonstrates the iTrack’s app compatibility. We hope you enjoy the video, and
22,893 Views· Posted
Join B&H Photo’s Allen Weitz for a quick review of the Sony Cyber-shot DSC RX 100 III digital camera. Weitz points out many of the new camera’s technological and design improvements, including its amazing ability to capture in low-light scenarios with improved noise reduction and sharper detail than its predecessor. The camera’s Zeiss Vario-Sonnar T* 24-70mm (35mm equivalent) f/1.8–2.8 lens allows greater depth-of-field
10,363 Views· Posted
Larry Thorpe of Canon presents the new Cine-Servo CN7x17KAS S lens, a 7x broadcast/cinema zoom lens designed for both PL-mount and EF-mount cameras. Featuring a focal length range of 17mm to 200mm.
13,163 Views· Posted
Canon's Larry Thorpe introduces the new XF205 professional camcorder, a compact model with a 1/3" CMOS sensor and a 20x optical zoom lens with three rings for focus, zoom, and aperture.
1,579 Views· Posted
In this third episode of Prospectives, Lindsay Adler takes us through her process as a fashion photographer. She discusses how she keeps herself inspired, where she gets her ideas, and how she surrounds herself with other professional creatives to achieve her looks. This episode has been sponsored by Sigma, lenses that Lindsay herself uses for her fashion shoots. Show created and directed by Kelly Mena.
67,850 Views· Posted
In the following video, Larry Becker, of Kelby Media, presents an overview of the Sigma 18-35mm f/1.8 DC HSM lens and covers its features, design, and its distinction of being the first constant f/1.8 zoom. Learn about this lens's overall performance, including its specifications, ability to produce notably shallow depth of field, auto-focus attributes, as well as build quality and operational characteristics. Becker also talks about Sigma's position in general and their push to develop the Global Vision series with specifically categorized