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Posted
Join Matt Zefi at a local baseball game in Santo Domingo, Dominican Republic, as he puts Sigma's 500mm f/5.6 DG DN OS Sport Lens to the test.
0:00 - Introduction
0:31 - Specs and First Impressions
2:07 - In Action and Images
3:29 - Camera Settings
4:18 - Customizing
5:11 - Zefi's Thoughts
What do you think of this Sigma lens? Share your thoughts in the Comments section, below.
Posted
The Venus Optics Laowa Aurogon FF 10-50x NA0.5 Supermicro APO Lens opens the door to microphotography, allowing you to use the camera gear you already have. Watch as Sam Fuller takes the camera out for a spin and shares some helpful tips for microscopic photography.
0:00 - Introduction
0:35 - Specs and Today's Setup
2:46 - More Tips
3:17 - Fuller's Thoughts
Will you be adding the Laowa Aurogon to your kit? Let us know your thoughts in the Comments section, below.
Posted
Sigma's 10-18mm f/2.8 DC DN Contemporary is the perfect lens for hybrid shooters working with APS-C cameras. Vloggers and photographers will enjoy its small form factor and wide f/2.8 aperture. Watch to learn all about it.
Will you be adding this lens to your kit? Let us know in the Comments section, below.
Posted
The NIKKOR Z 600mm f/6.3 VR S offers Nikon users another super-telephoto lens from its comprehensive lineup. How does this differ from its f/4 counterpart, as well as the NIKKOR Z 180-600 f/5.6-6.3? Nick Brigadier takes the Nikon NIKKOR Z 600m f/6.3 VR S out for a spin to test its wildlife and portrait-photography capabilities.
0:00 - Introduction and Key Specs
0:39 - Detailed Specs, Sample Photos, and Video
3:06 - This Lens vs. NIKKOR Z 180-600 f/5.6-6.3 vs. NIKKOR Z 600mm f/4
3:47 -
Posted
From landscapes to vlogs, Tamron's 17-50mm f/4 Di III VXD for Sony E-Mount is a versatile lens that covers a unique focal length. In this video, Sam Fuller takes the lens out for a spin.
0:00 - Introduction
0:36 - Specs
2:24 - Final Thoughts
What is your impression of Tamron's 17-50mm f/4 Di III VXD lens? Let us know in the Comments section, below.
Posted
OM SYSTEM has announced a 2x telephoto macro built for the field: the M.Zuiko Digital ED 90mm f/3.5 Macro IS PRO for Micro Four Thirds cameras. Featuring a 180mm equivalent focal length, 5-axis image stabilization, and IP53 weather sealing, the new lens was made for macro photographers longing to get up close and personal with nature.
Posted
The last few months have been a whirlwind for FUJIFILM's mirrorless division, with the company unveiling a suite of new sensor technologies inside the successors to a line of cameras that not everyone was sure would ever return. While the X-H2 and X-H2S are very exciting cameras and deserving of their flagship status, they aren't necessarily what most people think of when they think of FUJIFILM cameras: that would be the X-T line, and many have been waiting to see what these announcements would mean for the
Posted
Our team tests the Sony FE 24-70mm f/2.8 GM II to make note of how it has been improved—photographers and videographers should enjoy the upgrades! This G Master lens is smaller and lighter than its predecessor and boasts even greater resolution and bokeh quality, an improved motor for faster and smoother autofocusing, minimized focus breathing, and much more.
Read the Sony 24-70mm f/2.8 GM II Lens announcement to learn
Posted
Perfect for travel photography, the Tamron 17-70mm offers unlimited creativity, with a constant f/2.8 aperture, reduced focus breathing, vibration compensation, an effective minimum focusing distance, and more!
Click to read the Tamron 17-70mm f/2.8 for FUJIFILM announcement to learn more.
Let us know in the Comments section, below, how excited you are to try the Tamron 17-70mm!
Posted
Over the course of six years, Sony’s G Master lineup has offered some of the best lenses in the business—and yet Sony still pushes itself to get even better. With the release of the FE 24-70mm f/2.8 GM II, it’s easy to see Sony’s drive to improve in action based on all the upgrades made to one of its earliest, and still good, G Master lenses. Sony also appears to be watching industry trends, further tuning its optics and handling to suit the demands
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Jake Estes tests the Tamron 18-300mm f/3.5-6.3 for FUJIFILM X, a versatile ultra-wide to telephoto lens. This zoom lens was created for the X-mount/APS-C format and is a perfect all-arounder, because it covers almost any shooting situation.
Will you be adding this lens to your kit? Share your thoughts on it in the Comments, below.
Posted
Fast and compact, these new Tamron lenses are a welcome addition to any photographer's kit! You don't have to sacrifice image quality for these lightweight lenses. The 28-75mm offers a bright f/2.8 maximum aperture, improved sharpness, faster and more precise performance, and more. The 35-150mm is a medium telephoto lens with a maximum
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Introducing the Panasonic Lumix 25-50mm f/1.7 Zoom Lens, designed for Micro Four Thirds cameras. This Panasonic Lumix lens utilizes Leica glass and was created for photographers and videographers. The constant aperture of f/1.7 gives you beautifully compressed close-ups, and the details are crisp from edge to edge. The stepless aperture ring, linear focusing ability, and smooth manual focus make this a great filmmaking lens, as well
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Doug Guerra puts the dynamic Tamron 150-500mm f/5-6.7 Di III VXD lens through its paces. This versatile super telephoto zoom is well suited to landscape, wildlife, and street photography.
Share your thoughts and questions about this new lens below in the Comments. Will you be adding the Tamron 150-500mm to your kit?
Posted
Never afraid to be unique, Sigma has just released the fp L mirrorless camera. The second member of the fp Series of compact, modular, hybrid cameras, the fp L storms in with an all-new, higher-resolution sensor, improved focusing performance, and even brings an accessory electronic viewfinder to the system. When the original fp was released in 2019, it stood out due to its minimal design and distinct feature set that clearly catered more
