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10,363 Views· Posted
Larry Thorpe of Canon presents the new Cine-Servo CN7x17KAS S lens, a 7x broadcast/cinema zoom lens designed for both PL-mount and EF-mount cameras. Featuring a focal length range of 17mm to 200mm.
13,163 Views· Posted
Canon's Larry Thorpe introduces the new XF205 professional camcorder, a compact model with a 1/3" CMOS sensor and a 20x optical zoom lens with three rings for focus, zoom, and aperture.
by Steven Gladstone · Posted
Even though it's only been shipping for a short time, the Blackmagic Production Camera 4K is the current "go-to" choice for shooting 4K video with a single sensor/interchangeable-lens system for less than $4000. However, things may change when Panasonic ships their 4K-capable Lumix GH4. If you're in the
by Christopher Witt · Posted
There are IP cameras, and then there’s this camera. The Axis Communications Q1614 stands above and apart from what you’re used to seeing, and what follows are the reasons why this camera isn’t like any of the others. Many cameras simply capture images; some might have limited recording options, and onboard memory card storage. The Q1614 does all this, and so much more.
6,422 Views· Posted
In the following video, Mia McCormick takes a looks at the Genustech Mini Jib and how it’s a great option for adding production value to your videos without the hassle and exra cost of a full-size professional jib. McCormick explores the jib’s design, including its lightweight 3.5-pound frame, 6-foot maximum extension, and ability to collapse down to just 33". She also examines tripod selection, setup, and how to balance the jib
11,174 Views· Posted
In the following video, Mia McCormick, of Kelby Media, demonstrates ways to achieve smooth shots using the Glide Gear DNA 5050 Stabilizer with DNA 6000 Vest and Arm. McCormick explores the one-size-fits-all padded vest with aluminum front plate, dual swing arm with adjustable tension springs, and the DNA 5050 camera stabilizer with three-axis gimbal. McCormick also shows us how to balance the stabilizer by adding weights and adjusting
7,088 Views· Posted
Join Mia McCormick, of Kelby Media, as she discusses the Canon VIXIA Mini X Full HD Camcorder, and why it may be the video blogging tool for you. This video explores the specifications of the camcorder, including the 12.8MP sensor, which captures Full HD, and the f/2.8 lens with ultra-wide-angle and close-up recording options, as well as the unique design of the camera, which features an articulating screen and kickstand for hands-free operation. McCormick also highlights some of the new features the Mini X introduced since the previous VIXIA
by Justin Dise · Posted
Lens selection is an important decision for any Director of Photography. Lenses from different manufacturers and different eras offer unique characteristics to better suit the director’s vision for a film or scene. While color grading gives you the flexibility to adjust images in post, there are intrinsic qualities inherent in the construction of the lens itself that can't be fully replicated. And with on-set grading becoming more commonplace, the ability of a DP to create a "look" on set with just lens selection can endear them to the
by Morgan McClure · Posted
Sony has announced two new Handycam camcorders, each with 1” image sensors at CES 2014. A veritable show stopper, the FDR-AX100 is capable of recording 4K Ultra HD video at 30 frames per second and Full HD 1080p at up to 60 fps. The second camera, the HDR-CX900 has a practically identical design and feature set, sans the
5,669 Views· Posted
The Sony HXR-NX3 is a handheld camcorder with a host of professional features. In this video, Mia McCormick, of Kelby Media, conducts a tour of what she calls a "workhorse" of a camera. In the video she points out important features, such as the 20x optical zoom, 40x Clear Image Zoom, and AVCHD 2.0 recording. Providing a balanced appraisal of the camera, she touches on its notable features. We hope you enjoy this video, and
by Peter Ward_1 · Posted
Since the introduction of Creative Cloud, the question has been: does Adobe's move mean a radically altered workflow for content creation professionals, particularly video editors? For the moment, the answer is probably not. For all intents and purposes, Creative Cloud applications remain ordinary desktop applications; Adobe has merely eschewed the traditional perpetual license in favor of a subscription license. And on top of that, they are granting the user a set of—fairly limited at this point—cloud-based services; notably 20GB of file
by Christopher Witt · Posted
The Hikvision HIDS7604NI Network Video Recorder (NVR) has everything you’d expect, a few things you’d want, and a couple that you wouldn’t expect in an NVR. It’s a feature-filled surveillance center that allows you to not only individualize your IP cameras, but gives you Pan/Tilt/Zoom (PTZ) camera control, customized recording quality, the ability to add/delete/edit users, and a host of other features and functions that will be discussed below. For now, put away
by Justin Dise · Posted
There is a plethora of apps out there, geared toward cinematographers. While many are useful, I’ve decided to share the four apps to which I find myself returning regularly. They have earned a place in my digital tool kit and, in my eyes, are must-haves for any DP or camera assistant.
Sun Seeker
Cinematographers always have an eye on the sun, and want to know where it will be at every hour during a shoot. When will the sunlight come through that window? How will I have to move the actor to keep a consistent backlight when shooting
by BH Online Videos · Posted
The Canon Vixia HF G30 is garnering a great deal of attention; watch Mia McCormick, of Kelby Media, as she enlightens us about what makes this consumer camcorder a standout. Pointing out important features such as the fast aperture, optical zoom, and image stabilization, McCormick makes note of where the camera shines, with its high data rate, media card recording, and how it functions when you handhold it. We hope you enjoy this video,
by BH Online Videos · Posted
In the following video, Mia McCormick, of Kelby Media, discusses accessories and shares tips that help you get the most out of your DSLR for outdoor event videography work. McCormick explores using variable neutral density filters to maintain shallow depth of field in bright conditions, the benefits of lenses with de-clicked aperture rings, image stabilization, and using zoom lenses to get close to the action safely. McCormick also discusses employing camera rigs for extended shooting times, on-camera shotgun microphones for improved