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by Mary Latvis · Posted
Continuing to expand its line of popular high-performance video cameras, Kinefinity has introduced the new Vista Full-Frame 6K Digital Cinema Camera. Positioned as a more affordable option for creators, this compact camera features full-frame 6K capture at rates up to 50 FPS and up to UHD 4K at 100 fps in Super 35. Available with user-interchangeable Kinemount,
by Zack Young · Posted
Canon has unveiled three unique products for the professional broadcast space, including a CINE-SERVO 40-1200mm T5.0-10.8 lens with a built-in 1.5x extender, the compact and powerful RC-1P300 PTZ controller, and the long range ultra-high-sensitivity MS-510 multipurpose camera.
The CINE-SERVO 40-1200mm T5.0-10.8 will be
by Zack Young · Posted
GoPro is taking a bold leap forward with their new MISSION 1 line of compact cameras. Billed as the world’s smallest, lightest, most rugged cinema cameras, initial offerings include the MISSION 1 PRO, capable of 8K60p and 4K240p, the MISSION 1, which supports 8K30p and 4K120p, and the MISSION 1 PRO ILS, which swaps the fixed lens for a Micro Four Thirds (MFT) lens mount. All three
by Zack Young · Posted
Tilta continues to push the possibilities of camera accessories with the new Nucleus Autofocus Adapter, a Sony E to ARRI PL-mount adapter that turns manual PL cine lenses into autofocus-capable E-mount glass that interfaces with the full focus system inside Sony cameras. That means face tracking and eye-detect Sony autofocus can now work with countless manual PL lenses for the first time. Alongside the adapter, Tilta unveiled new cages for recent Sony Alpha cameras
by Mary Latvis · Posted
Melding the higher frame rates, powerful hardware, and highly efficient ARRICORE codec of the ALEXA 35 XTREME with the modular form of the ALEXA 35 Live camera, the new ALEXA 35 Live (XR) Multicam System provides a complete toolset for your fiber-based live productions. This system is available in Entry,
by Mary Latvis · Posted
Widely used on both classic feature films and newer digital productions, Cooke’s Panchro line features a unique look designed to draw your viewer into your story. The new ARRI LPL-mount Cooke Panchro 65/i series offers this distinctive aesthetic for large-format cameras with up to VistaVision sensors.
by Zack Young · Posted
In the year since their initial release, DZOFilm’s Arles lenses have earned a lot of praise for fast apertures, large format coverage, and visual consistency across the set. Now, DZOFilm is expanding the line with a new Arles 18mm T1.4 lens, alongside a fresh
by Zack Young · Posted
Nearly a year after FUJIFILM first announced the GFX ETERNA 55 cinema camera, we’re finally learning the internal specs, recording formats, Film Simulations, and more, as well as details on the 32-90mm T3.5 Power Zoom lens. The GFX ETERNA 55 will utilize a massive 43.8 x 32.9mm 102MP CMOS II HS sensor and an X-Processor 5 to
by Luke Rollins · Posted
The ZR Cinema Camera is a lightweight 6K full-frame camera that marks the first brand new hardware collaboration between Nikon and RED DIGITAL CINEMA. The camera combines Nikon’s precision AI-assisted autofocus and versatile Z-mount with RED’s much lauded color science and cinema-ready functionality. Capable of recording up to 6K 60p in a new flavor of REDCODE RAW, as well as ProRes RAW, H.265, and a host of other formats, the ZR
by Zack Young · Posted
RED DIGITAL CINEMA is bringing its stunning 8K large format global shutter sensor to a wider audience with the V-RAPTOR XE, a new iteration of the popular cinema camera that features the “Essentials” at a more accessible price point. Capable of 8K capture at up to 60p, the XE still includes two 12G-SDI ports, in-body cloud integration, and a host of raw recording formats. The camera is available by itself in
by Zack Young · Posted
Canon continues to innovate in the Cinema EOS line with the new C50, a compact, lightweight cinema camera capable of capturing 7K full-frame video in a 3:2 open gate mode, as well as a host of more traditional formats. Bundled with an XLR top handle that features a start-stop button and zoom rocker, the C50 represents the smallest Cinema EOS camera to date, yet is still chock full of features, codecs, and a dedicated
by Jennifer Hahn · Posted
ARRI’s new ALEXA 35 Xtreme cinema camera can streamline your production and save you time and money. The ALEXA 35 Xtreme brings numerous updates to the ALEXA 35, including a powerful new processor, faster memory, new sensor modes, longer recording times, faster frame rates, and the new ARRICORE codec that provides higher quality images with lower data rates. The camera will be released in multiple camera sets with licenses
by Mary Latvis · Posted
Sony has announced a replacement IR cut filter for their BURANO 8K cinema camera. This free update improves color reproduction in strong light, especially any slight reddish tinge that may be seen in black clothing under direct, unshaded sunlight.
BURANO owners who want the replacement filter should contact Sony support before June 30, 2026 to schedule the update, which will require sending their camera to Sony.
Original
by Zack Young · Posted
The announcement of DZOFilm’s X-Tract 18-28mm T8 probe lens marked an exciting development in the growing probe category by introducing the ability to zoom in and out, allowing users to adjust the field of view while keeping the lens in place. At launch, the only iteration had a forward-facing direct view. Now, DZOFilm has formally unveiled
by Zack Young · Posted
DZOFilm has a new spin on their popular Arles full-frame cinema lenses. The Arles Lustre primes, available in a 10-lens kit with select focal lengths also sold individually, sport a special golden coating that creates amber halo effects and a “warm and poetic atmosphere.” These special edition lenses can help build a retro aesthetic or prove useful for dream sequences and more stylized projects. The 10-lens