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by Zack Young · Posted
The announcement of DZOFilm’s X-Tract 18-28mm T8 probe lens marked an exciting development in the growing probe category by introducing the ability to zoom in and out, allowing users to adjust the field of view while keeping the lens in place. At launch, the only iteration had a forward-facing direct view. Now, DZOFilm has formally unveiled
by Zack Young · Posted
DZOFilm has a new spin on their popular Arles full-frame cinema lenses. The Arles Lustre primes, available in a 10-lens kit with select focal lengths also sold individually, sport a special golden coating that creates amber halo effects and a “warm and poetic atmosphere.” These special edition lenses can help build a retro aesthetic or prove useful for dream sequences and more stylized projects. The 10-lens
by Zack Young · Posted
Sony has announced the VENICE 2 Extension System Mini, a new iteration of the popular Rialto expansion unit that allows users to disconnect the sensor block from the body of their VENICE 2 to make the camera more nimble and portable. The Extension System Mini is about 70% smaller and lighter than its predecessor, the VENICE Extension System 2, and features the full-frame 8.6K sensor that has made the VENICE 2 such a popular option for
by Zack Young · Posted
The ARRI ALEXA 35 is one of the most popular and versatile digital cinema cameras in the film and television industry. In an effort to get the camera in the hands of more filmmaking professionals, ARRI is offering a “Base” model at a more affordable price point. The ARRI ALEXA 35 Base shares the same hardware as the full feature ALEXA 35 Premium, however, recording will be limited to a range of ProRes
by Steven Gladstone · Posted
Kinefinity has long been an upstart and disruptor, with its balance of design, features, and price, and their new camera the Kinefinity MAVO Edge 6K expands its lineup. The MAVO Edge 6K will be available as a Space Gray Standard and a Raw Steel Cyber edition. The MAVO Edge 6K is a Full-Frame 6K camera featuring a
by Steven Gladstone · Posted
Heads up! Ricoh is releasing its newest 360-degree camera, the THETA X, along with its new custom lens cap, and this is good news for 360° capture. Already known for its THETA series of 360° cameras, Ricoh’s new THETA X brings improved image quality and user functions, making it easier than ever to shoot, view, and share your 360° video and
by Jennifer Hahn · Posted
To meet current needs for enhanced remote production and presentation in corporate, education, and house of worship environments, JVC has released three new PTZ (pan/tilt/zoom) cameras to match varying requirements of network types and video resolution: the KY-PZ200 HD with 20x optical zoom, the KY-PZ200N HD NDI|HX with 20x optical
by Mary Latvis · Posted
If you’re a fan of compelling large-format, ultra-high-resolution video capture, you’ll be intrigued to learn that you now have another camera to choose from: the Kinefinity MAVO Edge 8K. Newly available through B&H, this compact, carbon-fiber body camera features a large-format 3:2 sensor, frame rates up to 70 fps in 8K, dual-native 640/2560 ISO, up to 14+ stops of dynamic range, and in-camera Apple ProRes 4444 XQ recording via dual
by Mary Latvis · Posted
We’re sure you’ve noticed that “remote” is the name of the game lately and now, thanks to Canon, content creators have another option for safely capturing UHD 4K video at a distance for high-end broadcast productions. Joining the lineup of Canon PTZ cameras, the CR-X300 features IP and serial control, Hybrid AF (autofocus), and a durable, water-resistant aluminum housing suitable for interior and exterior use.
by Jennifer Hahn · Posted
Coming next spring… in a world where cinema and technology collide… at a time when many, many movie trailers will be featuring footage from the latest cinema camera from Sony, is the long-anticipated and longed-for VENICE 2 CineAlta cinema camera with 8.6K or 6K full-frame-sensor options. The brand-new VENICE 2 8.6K CMOS sensor
by Mary Latvis · Posted
We’ve all heard of work “flex time” and now we can thank Blackmagic Design for introducing a “flex cam”—the URSA Broadcast G2. Announced overnight via an unheralded introduction, this new 6K camera looks to be a truly versatile solution for users who are looking to create broadcast-style and digital cinema productions.
Posted
The compact cinema camera market has become even more competitive with the announcement of Panasonic’s new Lumix BS1H box-style camera that sports a long list of professional features in a tiny form factor. This mirrorless camera joins the S1H and BGH1 compact camera line, featuring a full-frame 24.2MP CMOS sensor that captures cinema-quality video up to 10-bit 6K24 resolution, 14+ stops of advertised dynamic range using V-
by Jennifer Hahn · Posted
Atomos and Canon have teamed up to offer an exciting enhancement to your Canon EOS R5 camera and Atomos Ninja V+ monitor/recorder setup, with the latest firmware updates. By combining the Atomos AtomOS 10.68 update with the latest Canon EOS
Posted
Canon is excited to announce the XF605, the company’s new 4K, 10-bit camcorder, packed with useful features for professional productions ranging from live event to ENG, sports, studio, as well as narrative and location shoots. Slightly smaller than the XF705, the XF605 uses a 1" CMOS sensor to capture 4:2:2 10-bit UHD 4K video in MP4 and XF-AVC, for incredibly sharp video. It also captures Full HD at up to 120 fps, for slow-motion
by Jennifer Hahn · Posted
Great news if you’re an ALEXA Mini LF cinema camera owner: ARRI has just announced the release of the latest ALEXA Mini LF camera software update, SUP 7.0. This update is the latest after the previous SUP 6.0.22 and extensive customer beta testing, and it offers a long list of requested features, such as Super 35 recording formats, recording large formats with lower data rates, and a variety of usability features.
The new Super 35 recording formats include the following:
3.4K S35 3:2 — 3.4K up to