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by Steven Gladstone · Posted
Monitors are flawed. They display limited color space, usually sRGB (although newer ones can display a wider color gamut), they age and change over time, and different backlight technologies will affect how the images are displayed. Let us not forget that the viewing conditions make a big difference in how we perceive, and need to be considered. For text, this isn't important, but for the visual media, this can make a huge difference. I remember the analog days of trying to calibrate the field monitor by eye, using the various test patterns
by BH Online Videos · Posted
In this video Doug Guerra explains how the Spyder5CAPTURE PRO Color Calibration Bundle helps you to keep track of your color during the entire photo process, from capturing the perfect shot up to and including color accuracy when printing. This bundle includes the SpyderLENSCAL, which is a focus chart allowing you to adjust your autofocusing system accurately through the camera. Next comes the SpyderCHECKR, which provides an objective
by josh brown · Posted
Not more than a decade ago, the power to create Hollywood-style effects was exclusively the domain of highly specialized artists using expensive software that ran on workstation-class computers. However, in the last few years, inexpensive compositing software has become available, offering visual-effects artists and motion-graphics designers the ability to create powerful visual effects. HitFilm 3 Pro from FXHOME is one such piece of software, built