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Posted
GoPro's Mission lineup aims to pack cinema camera specs into a pocket-sized action camera. Today, we're testing out the GoPro MISSION 1 PRO, and what better way than with the rides at Coney Island?
0:00 - Test Footage
0:26 - GoPro Mission 1 Pro Specs
0:55 - Sensor (Low Light, Open Gate, Frame Rates)
1:58 - LCD Screen, Battery Life, Buttons
3:04 - Internal Mics & Test
3:39 - New GoPro Wireless Mic & Test
4:11 - Photography Specs
4:23 - Patrick's Thoughts
Sponsored by
Posted
People have been sleeping on the RED DIGITAL CINEMA V-RAPTOR XE. It's more than just a full-frame version of the KOMODO-X. Nick shares where this cine camera sits in RED's lineup and gets hands-on in for outdoor and indoor locations.
0:00 - Sizzle Reel
0:30 - Intro
1:53 - V-Raptor XE Specs
4:08 - Autofocus
5:03 - Dynamic Range & Low Light Performance
6:16 - Concurrent Pro-Res Proxy Recording
6:58 - Ergonomics
7:48 - File Sizes
9:10 - 2.2.1beta Firmware Updates
9:38 - Upgrade Program
10:04 - Takeaways
Sponsored by
by Zack Young · Posted
On-camera monitors continue to grow in popularity with filmmakers and photographers wanting a bigger, better view of their image than a flip-out LCD can provide. The Desview R5II 5.5" touchscreen monitor is, on paper, a great offering: lightweight, affordable, versatile, and bright. It even comes with useful accessories like a swivel-and-tilt shoe mount, a sunshade, a USB drive for loading LUTs, and a couple variations of HDMI
Posted
Now that the hype surrounding Nikon’s acquisition of RED and the launch of the ZR cinema camera has settled, we’re finally putting it to the test on set. Nick combed through FAQs gathered from our YouTube comments, our website, and Reddit, and he’ll be tackling them all in this video. You'll also get his honest opinion on the best features and the quirks. This hands-on experience is truly a deep dive (especially since Nick read all 120 pages of the user guide).
0:00 - Today's Video
0:53 - Key ZR Specs
1:42 - Nick's Initial Thoughts &
Posted
An instant camera that also shoots video? With inspired effects from the 1930s to the 2020s, this one’s an easy add to cart. Get our team’s first impressions of the FUJIFILM instax mini Evo Cinema Hybrid Instant Camera.
0:00 - First Impressions
1:32 - Decade-Inspired Effects
3:28 - Microphone & Printing
5:22 - Adjusting the Decade Effects
Sponsored by
Posted
Sony's new PXW-Z300 3-CMOS XDCAM Camcorder is perfect for camera operators looking to capture high-quality video in the field, or someone looking to add a camcorder to their existing Sony ecosystem. Join Sidney to learn this camcorder's specs and see the test footage he shot!
0:00 - Sample Footage
0:39 - Digital Signatures
1:13 - Sensor & Video
1:32 - Lens
1:42 - AI-Powered AF
2:05 - LCD Monitor
2:27 - Power
2:37 - V & Cold Shoe Mount
2:59 - Buttons & Ports
3:33 - S-Cine Tone Gamma Curve
4:14 - Who Is This Camcorder For?
by Zack Young · Posted
Coming four years after the release of the FX3 and three years after the FX30, Sony’s new FX2 digital cinema camera surprised a lot of people who expected a successor to the existing FX models, not an entirely new offering that sits somewhere between the two. A true hybrid capable of stunning (though slightly cropped) 4K60p video and sharp 33MP stills, the FX2 is a unique proposition in a market crowded with
by Zack Young · Posted
While the internals of a smartphone continually become more filmmaking friendly, the externals and ergonomics still hew toward strict minimalism and compactness. Because of that, most creatives find there are at least a few additional accessories they need to add to their phone for it to be capable of robust video streaming or capture. SmallRig is attempting to kit all of the necessary components together and make them as universal as possible with the new
by Zack Young · Posted
Matte boxes have become an increasingly common part of camera setups even for smaller crews, but there still exists a large gap between classic high-end offerings and newer budget-friendly variations. Kondor Blue is attempting to bridge the gap with their well-built but still affordably priced 4x5 Matte Box System. The Base Kit comes with the front unit hood, top flag, and 95mm clamp-on lens adapter, while the
by Zack Young · Posted
There are countless brands putting out budget-friendly cinema lenses at the moment, but DZOFilm has separated itself from the pack with quality and consistency. Now the brand is making its biggest play yet at the professional space with the DZOFilm Arles series, T1.4 cinema lenses that cover full-frame and Vista Vision sensors. The look of the Arles attempts to bridge the gap between
Posted
SmallRig collaborated with Gene Nagata (a.k.a. Potato Jet) to create his ideal tripod, and it just might be yours too! Join Nick for a quick look at this versatile, easy-to-use video tripod.
0:00 Intro
0:25 X-Clutch Legs
1:08 Height, Weight, & Load Capacity
1:33 Pan & Tilt Dampening
1:43 Tripod Head
2:03 Final Thoughts
by Shawn C. Steiner · Posted
At this point in camera development, most people aren’t looking for a mirrorless camera that can shoot video. Instead, they want a compact cinema camera that shares features with the mirrorless cameras that skyrocketed in popularity, thanks to their surprisingly impressive video specs. Sony strove for this paradigm with the FX30 and has done an excellent job.
Posted
The Accsoon CineView HE and CineView Quad are perfect for livestreaming and on-set monitoring, because they allow you to send a 1080p60 camera signal to the included receiver, as well as to three mobile devices. These versatile wireless video transmission systems provide a cost-effective way of allowing four people on set to monitor an HDMI camera signal. You can transmit to any mix
Posted
Let's take a look at the RED V-RAPTOR XL 8K VV Cinema Camera, which boasts a 35.4MP 8K VV Sensor, up to 8K120 Video, RED's first integrated electronic ND filters, and more. To learn more about what this cinema camera can do for your productions, check out the RED V-RAPTOR XL 8K VV announcement.
0:00 - Introduction
0:29 - Specs
3:10 - Production Packages
7:56 - Final Thoughts
Posted
ARRI’s new ALEXA 35 camera is already making waves in the cinematography world, and we are happy to provide you with the latest info. Boasting a new sensor design and new color science, the ALEXA 35 is a brand new camera with 17 stops of dynamic range (2.5 more than previous ALEXA cameras), and a familiar Super 35mm camera package with a host of dedicated accessories that will fit into established on-set workflows. Truly a 4K camera with a 4.6K resolution sensor that fulfills the mandates for 4K origination while using a Super 35mm-sized