Video
- Recently Added
- Popularity
- Name
About 10 filtered results
Posted
Photographers and partners of Back Left Media, Alex Geiger and Paul Seibert, were given the new Canon EOS R6 Mark III to set out and get their honest first impression of it. They took it on tour with a local artist to capture photos and videos. In their presentation, they break down the newest features of the Canon EOS R6 Mark III and discuss the results from their latest project.
0:00 - Intro / About Alex & Paul
4:26 - Back Left
Posted
It seems like everyone is using a DJI Osmo Pocket 3, but is it worth the hype? How does the footage compare to a mirrorless camera's? Is it any better than using your smartphone? Join Matt to learn its pros and cons and how to maximize your Osmo Pocket 3!
0:00 - Intro
0:35 - Benefits
2:38 - Osmo Pocket 3 vs. Mirrorless or DSLR
5:38 - Pro Mode
7:06 - Smart Features
8:01 - So, What's the Verdict?
Sponsored by
by Zack Young · Posted
So, if a PTZ camera is basically a camcorder on a robotic head, why not just buy a camcorder and a robotic head? And why would you choose PTZ cameras over mirrorless cameras that have unique interchangeable lenses with shallow depth of field? Let’s discuss.
PTZ (pan-tilt-zoom) cameras have been around for decades, but their recent surge in popularity has greatly expanded the number of people who are considering adding them to their
Posted
Nick Brigadier compares the Sony ZV-1F, ZV-1, and ZV-E10 to help you decide which one would work best for you. Each
by Steven Gladstone · Posted
While a great deal is made of shooting with large-sensor cameras, for valid reasons, I thought it would be prudent to consider smaller-sensor cameras, especially in the ENG/camcorder form factor. All too often these cameras are overlooked, and they really should not be. The ENG camcorder developed from a need for an all-inclusive camera that was rugged and easy to transport, which dictated a camera body with integrated tape drive―now SSD or Media card―and a lens port so you can add the lens of your choice or, for an even smaller shooting
by Shawn C. Steiner · Posted
Video is a part of modern life. It just is. Many photographers, like you, understand this and have even been flipping over to their camera’s video mode to start learning and shooting. If you did this and are starting from square one, you likely found a bunch of terms and settings that are almost a foreign language, especially if you consider that companies like Sony have loaded up their mirrorless cameras with features once reserved for traditional cinema cameras. Having trouble understanding the video options in your
by Steven Gladstone · Posted
by Jill Waterman · Posted
Welcome to the world of Steve Giralt, where speeding matter, splashing fluids, and powerful lights converge under millisecond timelines to crystallize as iconic advertising campaigns. In his remarkable transition from advertising photographer to visual engineer, Giralt has concocted a secret sauce that fuses elaborate technical feats with an irresistible element of play. That, and his constant passion for bigger challenges ahead, leads us to welcome him as our next B&H Creator of the Week.
By means of introduction, we recently asked
by Steven Gladstone · Posted
In this segment of Show Us Your Shot, Gregory Blair pays homage to indie horror filmmakers, creating a disorienting feeling without the use of high-tech effects, CGI, or jibs and cranes.
“Deadly Revisions is a psychological thriller that pays homage to several horror films and filmmakers. In this scene, we wanted to give a loving nod to Sam Raimi and the Evil Dead films. The scene involves Bill Oberst Jr. as Grafton Torn—a horror-film writer with amnesia, haunted by nightmares—who is having a sort of breakdown/hallucination moment. We
by Steven Gladstone · Posted
In this segment of Show Us Your Shot, Michael Epstein and Sophia Cacciola share with us their technique for creating a dreamlike driving shot with a stationary car, shooting high speed on the film, Clickbait.
“Clickbait is a modern, giallo-inspired horror, dark comedy film about the costs of seeking notoriety. A college student who will do just about anything for Internet fame is kidnapped by a stalker, and her reluctant roommate is the only one who can save her. During the attempted rescue sequence, we were looking to create a dramatic, music