About 1374 filtered results
10,363 Views· Posted
Larry Thorpe of Canon presents the new Cine-Servo CN7x17KAS S lens, a 7x broadcast/cinema zoom lens designed for both PL-mount and EF-mount cameras. Featuring a focal length range of 17mm to 200mm.
13,163 Views· Posted
Canon's Larry Thorpe introduces the new XF205 professional camcorder, a compact model with a 1/3" CMOS sensor and a 20x optical zoom lens with three rings for focus, zoom, and aperture.
by Christopher Witt · Posted
There are IP cameras, and then there’s this camera. The Axis Communications Q1614 stands above and apart from what you’re used to seeing, and what follows are the reasons why this camera isn’t like any of the others. Many cameras simply capture images; some might have limited recording options, and onboard memory card storage. The Q1614 does all this, and so much more.
2,133 Views· Posted
In the following video, Larry Becker presents an overview of the Samsung NX30 mirrorless digital camera and covers its imaging performance and expansive range of connectivity abilities. The video begins with information on the NX30's general design, including its ergonomic grip, tilting EVF, and tilting LCD monitor, and expands into its AF and shooting performance. The broad range of Wi-Fi connectivity options is covered,
6,422 Views· Posted
In the following video, Mia McCormick takes a looks at the Genustech Mini Jib and how it’s a great option for adding production value to your videos without the hassle and exra cost of a full-size professional jib. McCormick explores the jib’s design, including its lightweight 3.5-pound frame, 6-foot maximum extension, and ability to collapse down to just 33". She also examines tripod selection, setup, and how to balance the jib
11,174 Views· Posted
In the following video, Mia McCormick, of Kelby Media, demonstrates ways to achieve smooth shots using the Glide Gear DNA 5050 Stabilizer with DNA 6000 Vest and Arm. McCormick explores the one-size-fits-all padded vest with aluminum front plate, dual swing arm with adjustable tension springs, and the DNA 5050 camera stabilizer with three-axis gimbal. McCormick also shows us how to balance the stabilizer by adding weights and adjusting
by Allan Weitz · Posted
Remote triggering devices are more than a convenience. In the right hands, a remote triggering system can expand the parameters of what’s possible when planning a complex, multifaceted photograph, or for that matter, add new twists to less complex subjects you’ve photographed countless times. Available hard-wired for shorter distances or wireless configurations for greater working distances, remote triggers help to eliminate camera vibration at the time of exposure, resulting in sharper pictures. For product shots, nature, long exposures, and
by Amanda Bellucco · Posted
Professionals in the photo and video community put a lot of stock into finding portable, easy-to-set-up equipment, and that’s exactly what Bescor aims to provide. Their Field Pro Lighting brings user-friendly versatility to the forefront with several kits designed especially for videography professionals. The LED-700 series is a great solution for lighting both in the studio and on location.
7,088 Views· Posted
Join Mia McCormick, of Kelby Media, as she discusses the Canon VIXIA Mini X Full HD Camcorder, and why it may be the video blogging tool for you. This video explores the specifications of the camcorder, including the 12.8MP sensor, which captures Full HD, and the f/2.8 lens with ultra-wide-angle and close-up recording options, as well as the unique design of the camera, which features an articulating screen and kickstand for hands-free operation. McCormick also highlights some of the new features the Mini X introduced since the previous VIXIA
by Shawn C. Steiner · Posted
Whether you shoot in the studio or on location, Limelite offers an LED, tungsten, or fluorescent lighting solution to suit your needs.
Increasingly popular LED technology is represented by Limelite's Mosaic lights. These 1x1' panels employ 576 LEDs with a CRI of >85 for accurate color rendering and output up to 5200 lux at 3'. Daylight, Tungsten, and Bi-Color versions are available and feature a back-panel
by Josh Taylor · Posted
A legendary lighting company is refreshed and repositioned to achieve its rightful place in the US imaging marketplace: Bowens International Ltd., based in the UK, has been a leading manufacturer of advanced photographic lighting systems for well over half a century, and has been a top-selling brand among professional photographers and serious enthusiasts worldwide, for many years. Until recently, Bowens’s presence in the USA has been overshadowed by more aggressively marketed brands of lighting equipment. But that began to change last year
by Morgan McClure · Posted
Sony has announced two new Handycam camcorders, each with 1” image sensors at CES 2014. A veritable show stopper, the FDR-AX100 is capable of recording 4K Ultra HD video at 30 frames per second and Full HD 1080p at up to 60 fps. The second camera, the HDR-CX900 has a practically identical design and feature set, sans the
5,669 Views· Posted
The Sony HXR-NX3 is a handheld camcorder with a host of professional features. In this video, Mia McCormick, of Kelby Media, conducts a tour of what she calls a "workhorse" of a camera. In the video she points out important features, such as the 20x optical zoom, 40x Clear Image Zoom, and AVCHD 2.0 recording. Providing a balanced appraisal of the camera, she touches on its notable features. We hope you enjoy this video, and
20,063 Views· Posted
In the following video, Larry Becker presents an overview of the Nikon D3300 DSLR camera and covers its features in respect to its position as a compact, lightweight, entry-level model. Information is presented about how this camera's imaging assets perform, including its 24.2MP DX-format CMOS sensor and EXPEED 4 image processor, as well as a bit on its 11-point autofocus system, continuous shooting rate, and video recording capabilities.
by Peter Ward_1 · Posted
Since the introduction of Creative Cloud, the question has been: does Adobe's move mean a radically altered workflow for content creation professionals, particularly video editors? For the moment, the answer is probably not. For all intents and purposes, Creative Cloud applications remain ordinary desktop applications; Adobe has merely eschewed the traditional perpetual license in favor of a subscription license. And on top of that, they are granting the user a set of—fairly limited at this point—cloud-based services; notably 20GB of file