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1,846 Views· Posted
In this special on Wedding Tips, famed wedding photographer Joe Buissink visited the B&H studio to discuss the emotion behind capturing the first look at a wedding.
by Shawn C. Steiner · Posted
With the ever-increasing number of pixels manufacturers can cram onto a single digital image sensor, the optics themselves are beginning to become the limiting factor in image quality. This is making it all the more important to stop down our lenses in an effort to squeeze as much sharpness from them as possible. Unfortunately, while stopping down is a great way to sharpen pictures, if we go too far, we end up with deteriorating image quality. This optical effect is called diffraction.
1,260 Views· Posted
Mel DiGiacomo, a versatale photographer whose background ranges from sports to documentary photography, sits with B&H to discuss his journalist approach to shooting weddings.
by Josh Taylor · Posted
Are you ready for a wearable, hands-off photo device that automatically tracks your journey through time and space?
The Autographer, a creation of the Oxford Metrics Group (OMG) of the U.K., is essentially a wearable, 5-megapixel, ultra-compact, self-controlled camera with a wide-angle, semi-fisheye lens that you hang around your neck using the included clip-on lanyard, or slip into a shirt pocket using the hefty built-in spring-loaded clip. You turn it on and let it take pictures automatically without user intervention as you go about your
3,088 Views· Posted
In the following video, Larry Becker presents an overview of the Fujifilm FinePix S1 digital camera, encompassing its features, design, controls, and image quality. The video begins with an introduction to the imaging attributes of the S1, including its 16.4MP sensor, and segues into its impressive 50x zoom lens, image stabilization system, and focusing features. From here, Becker describes the physical design of the camera—its tilting LCD
by Todd Vorenkamp · Posted
Aside from the fully automatic modes, DSLR and many point-and-shoot cameras feature Aperture Priority, Shutter Priority, and Manual shooting modes. I've met more than a few rookie DSLR users at photography workshops over the past several years who, while struggling with the complexities of their new cameras, claimed that "professional photographers" told them that they needed to start shooting in Manual mode—choosing shutter speed and aperture for each shot—and that they should never use the automatic modes. They were advised that they
2,786 Views· Posted
In this video Larry Becker discusses the Panasonic Lumix DMC-GM1 mirrorless camera with the 12-32mm f/3.5-5.6 lens, and how it offers photo enthusiasts quality imagery in a point-and-shoot sized body. The increased image quality is abetted by a Four Thirds sensor, giving you higher ISO rates with less noise. Another very unique and useful feature of this pocket-sized camera is its 3.0" full function touch-screen LCD. We hope
by Shawn C. Steiner · Posted
Sand and water: these can be two formidable enemies for a camera and a photographer. Water can instantly and irreparably damage electronic components, and sand can cause physical damage—and insidiously manages to get everywhere. These are fair reasons for leaving your brand-new camera at home when you take a trip to the beach, but there are options that allow you to protect your equipment and get those photos you've always missed.
Option 1: Tough Cameras
For those with the resources, the best option is to obtain one of the numerous "tough"
by John Harris · Posted
Michael Grecco is one of the most respected celebrity and portrait photographers working today, a master of lighting, conceptual storytelling, and attitude. His portraits are infused with humor and drama, and his versatility is exemplary. I was fortunate enough to chat with him about his process, gear choices, and some
by Yulia Dykman · Posted
Just in time for spring, new innovative and modular Tech Messengers, Expandable Holsters, and the Maxess Backpack from Ape Case provide protection with padded, durable exteriors and organization with high-visibility, yellow interiors.
Large and Compact Tech Messengers
The inviting color caught my eye, but the smart design sealed the deal. The first thing I noticed about the new Tech Messenger Bags from Ape Case was the bright color of the front flap. The second thing
by Eric Reichbaum · Posted
From the moment I took the D4S out of the box, there was one word to describe how I felt: envious. There’s nothing like opening a box and taking a brand-new camera out for the first time, especially when it’s Nikon’s new flagship D4S. This camera is a beast, in every way. It’s big, solid, and heavy duty, definitely an everyday workhorse, but it
11,298 Views· Posted
In this quick tutorial, wedding photographer Moshe Zusman talks about how he handles lighting with different tools and light shapers. He suggests using off-camera flash for more creativity; you can start with speed lights, and then advance to studio systems with light-shaping tools such as softboxes, grid diffusers, and umbrellas. For more flexibility, you can use wireless triggering systems to fire your camera and flash. Zusman likes grid diffusers on a softbox because the light is more angular and he has more control; it’s easier to balance
5,658 Views· Posted
Successful wedding photographer Ryan Brenizer shares his strategies and tips for making unique and dynamic engagement portraits for his wedding clients. Brenizer, whose approach to wedding photography is to show up for work with a fresh approach and a unique style, emphasizes the engagement portrait session as an important step in building trust with his clients, as well as coaching them to feel comfortable in front of the camera—a position in which most people are not immediately at ease. We hope you enjoy the video, and invite you to view
6,000 Views· Posted
Join Ryan Brenizer as he recommends ways to build your personal style to expand your business. His key concepts are personal and different. Brenizer suggests that you be the best you can be. How can you achieve this? Make pictures that are different from the work of other photographers, pictures that speak to particular clients, that compel your clients to want to hire you not because your photos are the same as others and you’re cheaper, but because they are unique. Create a brand—your inspiration will evolve into your own style.
Brenizer
by Todd Vorenkamp · Posted
A friend of mine recently took a step into a brave new world of digital SLR photography when she shelved her point-and-shoot camera and purchased a Nikon D5300 and kit lens. The purchase was not without an amount of trepidation: confusing controls, buttons everywhere, multi-function interfaces, knobs, an interchangeable lens, and increased size.
For many customers, moving from your camera phone or