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by Freddy Gerngross · Posted
In yet another entry to our 500-series guides, we’ll be discussing some of the many amazing equalizer modules for sale at B&H. In recent years, 500-series gear has exploded in popularity, and in turn, companies have been driven to offer more and more impressive and advanced modules—and with recent advancements in audio technology, the choices even include miniature recreations of legendary rack gear. So, whether you’re trying to add a standard or a superpowered 500-series EQ to your Lunchbox, read on to learn what we have in store!
Single
by Freddy Gerngross · Posted
For this installment in the 500-series guide, we’ll be looking at the available offerings of effects modules in the 500-Series format. I’m also including more utility modules that aren’t necessarily an “effect,” but don’t fall under the Preamp, EQ, or Compressor categories and are quite useful, nonetheless. Some more recently released 500-series effects modules have a combination of preamps and dynamics processors or can be used as such, so if you’re looking to get started on a budget, these could be good places to start your 500-series
by Trevor Collins · Posted
Cranborne Audio is a boutique British audio company known for trying new things. Its Carnaby 500 HarmonicEQ, a unique equalizer module for the 500-series rack system, utilizes a truly inventive method of boosting and cutting frequency content using genuine analog harmonic saturation. Now, Cranborne presents the
by Nicholas Messitte · Posted
Steven Slate is known for many things—creating industry-leading drum samples, fashioning world-class analog emulations—but a sleekly modern, 24-band EQ isn’t one of them. On Janurary 16, 2020, that changes: Slate Digital announced its new Infinity EQ, and we here at B&H are excited to carry it as soon as it becomes available. It is sure to be a boon for any mixing engineer who wants analog sound on a digital deadline.
The interface may be recognizable to lovers of Fabfilter, iZotope, DMG Audio, or CraveDSP. Need a parametric boost at 2 kHz
695 Views· Posted
In this video, AB demonstrates how to use a parametric EQ to shape your sound. By cutting frequencies you don’t like and boosting the “good stuff,” you can apply this technique to sweeten any audio track you’re working with.
To read more about the EQ series, click here.
For more audio-specific videos, click here.
Come back often to watch our world of videos
224 Views· Posted
In this new series on using equalizers (EQ), our man AB offers a very quick description of what an EQ is, and the various types of equalizers one can use. For this part, it’s Graphic EQ vs. Parametric EQ! What's the difference? When do you use one over the other?
To read more about the EQ series, click here.
For more audio-specific videos, click here.
Come back often to watch our
149 Views· Posted
In this introductory video to a new series on using EQs, A.B. gives a very quick description of what an EQ is, and he outlines what will be covered in the subsequent video.
To read more about the EQ series, click here.
More of Our Pro Audio Videos, click here.
Come back often to watch our world of videos at BandH.com.
by Nicholas Messitte · Posted
So, you want to get into mastering, and you’ve found yourself here. Welcome. Soon we will cover topics like compression and limiting—mayhaps, monitoring and room treatment to boot—but first, we’re going to give you a few insights into a process with tons of tonal impact on the final master. I speak, of course, of equalization.
The General Approach
It is often said that EQ adjustments in the realm of mastering are usually subtle. If you watch a tutorial or stand over the shoulder of a mastering engineer, you’ll frequently notice minute changes,