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Posted
Are your synths sounding a bit dry? Are you trying to find ways to make your sound designs more interesting but coming short? Well, fret not! In this video Gabe shows you 3 easy ways to level up your sound using your synth's built-in effects, software plugins or external processors. Oh, and if you stick around until the end, he might even throw in a bonus technique to give your sound that missing je ne sais quoi.
0:00 - Intro
0:33 - On-Board Effects
1:46 - Effect Plugins
3:05 - Hardware Processors
5:52 - Re-Amping
Posted
"I never realized that tree trunks sounded this good."
Kevin, Andrew, and Gabe are doing what they do best: talking about the latest and coolest audio gear. Superbooth Berlin 2026 had a lot to offer, so check out what made the cut (trust us, there's a reason gloves are on the list).
0:00 - UAD Enigmatic '82 Plugin
1:20 - Rupert Neve
1:46 - Synth Kalimba
2:31 - Mimu Gloves
4:05 - Telefunken 251
5:13 - Soma Terra Synth
6:40 - Atomic Analog 500 Series Module
7:40 - Kevin's First Foray into Synthesis
8:52 - La Voix du Luthier Acoustic Resonators
Posted
Kevin and Andrew explore the show floor at Superbooth Berlin 2026 to show you the latest in software, audio interfaces, and more.
0:00 - Intro
0:34 - SPL Booth
5:46 - Focusrite
7:34 - Elysia
10:54 - Izotope & Native Instruments
Posted
Gabe travels the show floor of Superbooth 2026 in search of the newest and most exciting synths from Korg Berlin, Erica Synths, and more.
0:00 - Opening
0:45 - Genki Katla
3:58 - Korg NTS-4
5:04 - Erica Synths Bullfrog Drums
6:55 - Boredbrain Xcelon SL
8:43 - Expressive-E Osmose CE
by Freddy Gerngross · Posted
Wireless microphones are an incredibly popular and convenient solution to many of the problems that come with traditional wired setups: they require far less cabling, and that means fewer issues with shorted wiring, lowered chances of cable-related tripping, and a higher number on the “Days Since Last Incident” sign. While they can be a bit more difficult to onboard, once the system is up and running, audio engineers and A/V technicians appreciate the fast setup time and decreased storage space that wireless mics afford. So, with all the
by Freddy Gerngross · Posted
Since its founding in 1992, DPA Microphones has gained a prestigious reputation in the audio industry for their mics' exceptional quality, crystalline transparency, and rugged and reliable build quality. And while DPA's microphones have found their way onto the stage with Beyonce, onto the sets of Game of Thrones, and into the concert halls of the world's greatest orchestras, what's perhaps most impactful to our world is the contributions they've made to the scientific community: DPA's microphones have enabled advancements in medicine,
by Freddy Gerngross · Posted
Reverb gives sound verisimilitude. Think of it as the persistence of sound after it is produced—a phenomenon of multiple clashing and diverging sonic reflections whose characteristics are defined by the surfaces and materials they contact. It reveals the nature of a physical space in infinitesimal detail.
Reverb defines the tangible nature of space and our place within it—something that sighted and hearing humans often take for granted. You can infer a ton of knowledge about an environment simply by listening to what it sounds like.
The
by Trevor Collins · Posted
DPA Microphones is announcing the new CORE+ line of microphones, a revolutionary leap ahead in terms of mic design. CORE+ effectively neutralizes distortion across the entire dynamic range of the microphone, making any residual distortion imperceptible and virtually unmeasurable.
DPA Microphones 4097 CORE+ Microphones
The new IP58-rated
by Freddy Gerngross · Posted
Of all the terms we use to define microphones, "parabolic" isn't one that often comes up in conversation. But what is a parabolic microphone? How do they work and what are they used for? If you're curious to learn the answers to these questions—or if you just want to know why broadcast crew members are always holding those big plastic domes on the sidelines of professional sporting events—then you've come to the right place.
What are Parabolic Microphones?
Unlike other descriptors (dynamic, ribbon, etc.), the word "parabolic" does not refer to
by Freddy Gerngross · Posted
Mixing audio is not an exact science—there are many ways to achieve similar results, and what works for one project may not for another. In my ten-plus years of mixing, I’ve had the privilege and opportunity to learn both common and lesser-known techniques from some of the best engineers in the world, as well as the time and practice to discover my own tricks and techniques through experimentation and a few happy accidents. We don’t gatekeep at B&H—here are ten helpful techniques you can use to bring the best out of your mix.
1. Use
by Freddy Gerngross · Posted
Shure has announced a modern refresh of their KSM lineup of professional microphones with the new KSM32C, KSM40C, and KSM44MP models, which feature redesigned shock mounts, updated circuitry for lower self-noise and better bias-voltage, and improved overall performance. These microphones will be available from Shure in early March.
The KSM32C large diaphragm condenser mic replaces the current KSM32 and comes in both a
Posted
by Trevor Collins · Posted
Just in time for NAMM 2026, Slate Digital is announcing a new expansion of their award-winning VMS (Virtual Instrument System) lineup with the ML-2A, a factory-matched pair of small-diaphragm modeling microphones featuring that can easy handle mono or stereo recording on virtually any instrument. Sporting accurately modeled modern and vintage high-end mics, the ML-2A gives you iconic tones right in your studio
by Freddy Gerngross · Posted
Solid State Logic and their affiliate brands Slate Digital and JH Audio announced four new products from their showcase at NAMM 2026: the Origin EVO, UMD 192, VMS ML-2A, and Jessie. Let’s take a look at what makes each one special.
The 16/32-channel SSL Origin EVO is SSL’s next generation analog recording and mixing console, carrying on the legacy of the iconic SSL 4000 series while adding the latest in hybrid workflow technology. The in-line Origin Evo delivers sound that has permeated hit records since the 1980s with the integration of
by Freddy Gerngross · Posted
Audio engineering is something of an arcane science. Unlike the more tangible fields of engineering, the success of an audio engineer—outside of material wealth—is subjective. When it comes to the work of an engineer, a collapsing bridge is a lot more palpable than a bad mix.
This subjectivity has led to the dissemination of some fantastical claims that defy the laws of physics, acoustics, and mathematics! We can measure nearly every aspect of audio in a tangible way—mathematician Joseph Fourier has proven that all sound can be recreated by or