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by Gabby Bloch · Posted
If you’re an independent music producer or engineer, you’re likely aware that Dolby Atmos is becoming more commonly adopted in the professional music and film industry. In fact, for many, working with Dolby Atmos is no longer an option but a requirement. On the other hand, there are many doubters in the music profession who insist that Atmos is just a fad. With Dolby Atmos becoming more mainstream, is implementing this technology in your studio worth the time and investment?
by Howard Gotfryd · Posted
The B&H SuperStore is not a well-known retailer of musical instruments. It’s true that our audio department has offered synthesizers, keyboards, controllers, and digital pianos for a long time, but we’re probably not the first place you think of when you’re thinking about guitars, basses, or their care and maintenance. B&H does carry a modest lineup of
by Nicholas Messitte · Posted
Let’s talk about the Tape Sync. It’s a term you may not know if you work in music or film. However, the Tape Sync is a good gig in the radio and podcast work, because it can supplement your income, especially during relatively slow weeks.
“Tape Sync” is a technical term for a remote interview. If you listen to talk radio, often you’ll hear your favorite host interview a guest. They sound like they’re sitting in the same room—but frequently, they are not. Sure, the host was in the studio, but the guest was hundreds of miles away.
How does it
by Andrew Eisele · Posted
There are so many items deemed a necessity in setting up and operating a studio. From high-quality audio interfaces to dynamic and time-based signal processing, your studio is an ever-evolving eco-system. The patchbay is a ubiquitous piece of hardware that many project studio owners don’t think they need, but then discover how incredibly helpful it can be. The carefully designed implementation of a patchbay can save you time and frustration when adding gear or changing the signal flow of your equipment. If you’ve ever had to crawl around the
454 Views· Posted
In this video, Sonic Scoop’s Justin Colletti gives you several tips for greatly improving vocals in a mix, including how to use commercial references to gauge how loud to make a vocal track, when to use automation, what kinds of time-based effects.
689 Views· Posted
Join Justin Colletti, from our Pro Audio partners, Sonic Scoop, as he sits down to talk shop with recording engineer Chris Zane at Gigantic Studios, in Manhattan. Known for his work with a variety of artists ranging from Passion Pit to Nelly Furtado, Miniature Tigers, Friendly Fires, and many more, Part 1 of this three-part video examines some of Zane’s recording philosophies, as well as his typical approach to tracking guitars and his trademark drum sound.