Pro Audio
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by Freddy Gerngross · Posted
Denon is best known for their professional A/V systems, home theater gear, audio receivers, and turntables, but with the competition in the home-speaker market heating up over the last few years, Denon is looking to redouble their efforts in the home audio marketspace with an impressive refresh of their previous “Home” speaker lineup.
The Denon Home 200,
by Gabby Bloch · Posted
There are many factors to consider when choosing your first pair of studio monitors. And though the technical aspects of monitors can get a little complicated at times, it’s probably sufficient to understand the essentials of what a studio monitor can offer in terms of features and sound delivery. So, here’s an accessible guide to choosing the best monitors for your needs. We’ll also touch on how to best position your monitors for accuracy.
What Is a Studio Monitor?
Unlike regular speakers, which tend to have some coloration or biases in the
Posted
Are your synths sounding a bit dry? Are you trying to find ways to make your sound designs more interesting but coming short? Well, fret not! In this video Gabe shows you 3 easy ways to level up your sound using your synth's built-in effects, software plugins or external processors. Oh, and if you stick around until the end, he might even throw in a bonus technique to give your sound that missing je ne sais quoi.
0:00 - Intro
0:33 - On-Board Effects
1:46 - Effect Plugins
3:05 - Hardware Processors
5:52 - Re-Amping
Posted
Polyend Drums allows you to have a wide range of sound at your fingertips. Learn about this drum machine at Superbooth Berlin 2026!
0:00 - Overview
0:17 - Machine Layout
0:35 - Controls
1:57 - Effects
2:15 - Sample Jam
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"I never realized that tree trunks sounded this good."
Kevin, Andrew, and Gabe are doing what they do best: talking about the latest and coolest audio gear. Superbooth Berlin 2026 had a lot to offer, so check out what made the cut (trust us, there's a reason gloves are on the list).
0:00 - UAD Enigmatic '82 Plugin
1:20 - Rupert Neve
1:46 - Synth Kalimba
2:31 - Mimu Gloves
4:05 - Telefunken 251
5:13 - Soma Terra Synth
6:40 - Atomic Analog 500 Series Module
7:40 - Kevin's First Foray into Synthesis
8:52 - La Voix du Luthier Acoustic Resonators
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Expressive E's Osmose CE MPE is everything you love about the original, stripped down into a pure controller. Join Gabe at Superbooth Berlin 2026 to learn how it works!
0:00 - Intro
0:32 - About the Expressive E Osmose CE MPE Controller
0:44 - Keyboard & Demo
1:54 - Plug-Ins
2:49 - Osmose CE Jam
4:38 - Final Thoughts
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Gabe travels the show floor of Superbooth 2026 in search of the newest and most exciting synths from Korg Berlin, Erica Synths, and more.
0:00 - Opening
0:45 - Genki Katla
3:58 - Korg NTS-4
5:04 - Erica Synths Bullfrog Drums
6:55 - Boredbrain Xcelon SL
8:43 - Expressive-E Osmose CE
by Freddy Gerngross · Posted
As a new product that caters to an underrepresented segment of the home/portable speaker market, the release of the somehow simultaneously big and small Sonos Play looks to represent the culmination of Sonos’s reconciliatory pilgrimage.
During the development of their new speaker lineup including the Play, Sonos has completely overhauled their mobile app design, seriously improved their tech support, updated
by Freddy Gerngross · Posted
Like anything worth creating, solidifying the process of a project is key to success. Often, the ambitious work of aspiring music producers can get bogged down from a lack of organization. Projects can bloat into dozens of unnamed tracks processed with reckless abandon, and audio and MIDI clips get chopped and sliced into a charcuturie board of chaotic (un)organization.
For the fever-pitched producer in a flow state, this chaos can be managed during the session (to an extent). But what if they were to step away from the project and come back
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Drum sounds are an integral part of a song's production. However, recording drums at home presents its own unique challenges. Andrew provides solutions, such as microphone choice and placement.
0:00 - Introduction
0:35 - Challenges of Recording Drums at Home
2:15 - Many Parts, One Instrument
2:45 - Drum Tuning and Head Choice
3:25 - 1 Mic, 2 Options
6:00 - 2 Mics (Glyn Johns)
8:08 - 4 Mics (Glyn Johns w/kick & snare)
10:29 - 4 Mics (Spaced Pair w/kick & snare)
12:30 - 4 Mics (Blumlein Pair w/kick & snare)
13:18 - Options for Using
by Freddy Gerngross · Posted
Since its founding in 1992, DPA Microphones has gained a prestigious reputation in the audio industry for their mics' exceptional quality, crystalline transparency, and rugged and reliable build quality. And while DPA's microphones have found their way onto the stage with Beyonce, onto the sets of Game of Thrones, and into the concert halls of the world's greatest orchestras, what's perhaps most impactful to our world is the contributions they've made to the scientific community: DPA's microphones have enabled advancements in medicine,
by Freddy Gerngross · Posted
Reverb gives sound verisimilitude. Think of it as the persistence of sound after it is produced—a phenomenon of multiple clashing and diverging sonic reflections whose characteristics are defined by the surfaces and materials they contact. It reveals the nature of a physical space in infinitesimal detail.
Reverb defines the tangible nature of space and our place within it—something that sighted and hearing humans often take for granted. You can infer a ton of knowledge about an environment simply by listening to what it sounds like.
The
Posted
Home recording is more accessible, but how do you make your instruments sound good? Andrew shares how to get the most out of your experience recording music at home. In this episode, you’ll get a crash course on acoustic guitar recording at home, as well as mistakes to avoid. You’ll learn how to choose a microphone, where to place your mic, how to record acoustic guitars in an untreated room, and more. As always, Andrew will demo each mic position and share its pros and cons.
0:00 - In This Tutorial
1:00 - Basic Mic Placement
2:23 - How
by Freddy Gerngross · Posted
Mixing audio is not an exact science—there are many ways to achieve similar results, and what works for one project may not for another. In my ten-plus years of mixing, I’ve had the privilege and opportunity to learn both common and lesser-known techniques from some of the best engineers in the world, as well as the time and practice to discover my own tricks and techniques through experimentation and a few happy accidents. We don’t gatekeep at B&H—here are ten helpful techniques you can use to bring the best out of your mix.
1. Use