My time with the Sony FE 12-24mm f/4 G lens was split between the streets of Manhattan and the tracks of Monticello Motor Club. Shooting among such diverse surroundings allowed me to test Sony’s widest E-mount zoom under a variety of conditions. To learn more about Monticello (as well as Sony’s new, FE 100-400mm f/4.5-5.6 GM OSS lens), check out Todd Vorenkamp’s article. All of the photographs in this article were made using a Sony Alpha a7R II and are uncropped unless otherwise noted.
My first reaction to Sony’s new addition to the G series was surprise at how light it felt in my hands. The last 12-24mm f/4 with which I had shot was Sigma’s heavyweight Art lens, which made this 1.24 lb (565g) lens feel like a feather. The rest of its physical exam was less surprising. It is constructed of durable plastic, and the movement of the zoom and focusing rings is smooth. Its lens hood is permanently attached, mixing the convenience of never misplacing it with the inconvenience of not being able to attach a threaded filter to its front.
Autofocusing with Sony’s Direct Drive SSM was quick and reliable, despite the challenges presented by the fast-moving cars at Monticello. Freezing my subjects in place required shutter speeds between 1/2500 and 1/8000 sec. Keeping pace with focusing was never a problem.
The minimum focusing distance of the lens is 11.02" (28 cm). This allowed me to get close enough to the cars at Monticello to make their owners nervous while creating dramatic portraits of my curvy subjects. The clarity of the lens was especially impressive when shooting open at f/4.
Sharpness was fairly consistent across the frame, despite the inevitable distortion that comes with shooting through such a wide lens.
On the streets of New York, the autofocus performed quietly and smoothly. The wide range of the lens allowed me to squeeze a considerable amount of space into the frame when shooting on cramped sidewalks. The tradeoff for this convenience was perspective distortion, especially pronounced when my model was human.
Working with a lens this wide outdoors requires an awareness of the sun and its effect on your images. The built-on hood of the lens is complemented by a nano anti-reflective coating to help prevent distortion from powerful light sources. Nevertheless, I found flare and ghosting to be recurring annoyances any time that the lens was pointed anywhere near the sun. This was expected, but could be improved.
Overall, the FE 12-24mm f/4 G makes for a convenient zoom for photographers looking for a sharp, light, wide lens to complete their Sony collection.
