Lighting
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by Zack Young · Posted
Young filmmakers often obsess over hot new cameras and lenses, but longtime imagemakers know that lighting is often the cause of the real visual magic. Great lighting can transform drab compositions into all-time classics, and building out your lighting toolkit is an essential step in being able to create attention-grabbing cinematic images. What do you need to buy to make it happen? Read on for our advice.
Basic LED Lights: Monolights and Panels
Let’s
by Cory Rice · Posted
One of the leading trends in digital cameras over the past few years has been the development of advanced video capabilities in mirrorless and DSLR cameras. Features that could once only be found in costly cinema cameras now come standard in still cameras targeted toward hybrid photo-video content creators. Accompanying the interest in cameras able to create high-quality stills and videos has come a demand for lights that can be used for both purposes.
While on-camera flashes and strobes have long been the standard for photographers, the short
by Steven Gladstone · Posted
High end is a subjective term, and in terms of high-end lighting for film and video, you will be able to find such light fixtures in use on a variety of productions, in the middle of a cornfield on the next indie smash, or hanging in a studio grid for next summer’s blockbuster. Really, the best definition for what makes a light high end is that whatever it does, it does it well, without hiccups or failures, and is clear and simple to use, with good ergonomics. If you need to tape a gel to the light fixture, then you’re either not using it the
by Steven Gladstone · Posted
The Luxli Timpani light is an extremely useful light fixture. Not only does it provide a strong and beautiful output, it is flexible enough to match with almost any other available fixture. This makes it a no-brainer to add to your existing light kit. Just add another light stand and a case—the Luxli Timpani is slightly smaller than other