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2,528 Views· Posted
In the following video, Allan Weitz gives us a demonstration of the nifty little Lumu Light Meter for iOS devices. The video dives right into the meter’s exceptionally compact design and operation, as well as its accuracy to within 1/10 stop. Weitz also walks us through working with the free Lumu apps and the variety of different capabilities and settings accessible, including both incident and reflected readings. Finally, he details the
15,094 Views· Posted
With the recent announcement of the a7SII, Kenta Honjo from Sony talks with us today about what’s new with the a7SII. Featuring 4K video can now be recorded internally at 30p or 24p up 100 Mbps.
7,073 Views· Posted
Moderated by Larry Becker, photographer Gregory Heisler and Canon Technical Advisor Rudy Winston have a live discussion about the new Canon 5DS and 5DS R digital cameras. These cameras have already created a year’s worth of buzz with their 50.6MP sensor, as well as anti-vibration and shutter design improvements. The 5DS R distinguishes itself from the
2,901 Views· Posted
Dynamic Range is the difference between the brightest part of the scene and the darkest part. Our eyes can see 11 stops of difference between bright light and darkness; a camera can only see five stops. So what we see with our eyes we cannot always capture with a camera. Think of a scene shot from indoors with a window in the background. Invariably, either the window’s light looks nice while the interior is too dark to be seen or if the interior is exposed properly, the light from the window is a washed-out blob of white. The capabilities of
19,395 Views· Posted
In the following video, Allan Weitz welcomes Fujifilm’s XF 16-55mm f/2.8 R LM WR Lens to itsmirrorless lineup. The video covers the versatility of the 24-82.5mm equivalent focal length and constant f/2.8 aperture, as well as the benefits of aspherical and ED lens elements. The lens also features both High Transmittance Electron Beam and Nano-GI lens coatings for maximum control of ghosting and flare, in addition to Twin Linear Motors, which work with X-series cameras’ phase detection AF system for fast, near-silent focusing. Additionally,
3,521 Views· Posted
In the following video, Allan Weitz presents a handful of unique options for macro photography that deviate from the common and traditional macro lens. Beginning with the Canon MP-E 65mm f/2.8 1-5x Macro Photo Lens, Weitz delivers an overview of this high-magnification optic that permits focusing on subjects from 1:1 to 5:1 reproduction ratios. Second up is a profile of the
15,726 Views· Posted
Profoto’s new B2 Off-Camera Flash system packs 250 w/s into a flash head similar in size to a speedlight packing a fifth of the light output.
4,014 Views· Posted
In the following video, B&H photo wiz Allan Weitz introduces the Olympus Stylus TOUGH TG-3 Digital Camera and the LG-1 LED Macro Ring Light attachment. This video presents the rugged features of the 16-megapixel camera, as well as the idea that it’s an excellent microscope control feature, offering a minimum focus distance of just 0.4" and a 44.5x magnification
641 Views· Posted
In the following video, Allan Weitz walks us through the features of Rokinon’s latest full-frame lens releases, a 135mm f/2.0 ED UMC for stills shooters and the 135mm T2.2 ED UMC Cine DS for videographers, available in a variety of mounts for DSLR and mirrorless cameras. This video covers the benefits of this medium-telephoto focal length and the capabilities of the
18,832 Views· Posted
In the following video, Allan Weitz, of B&H, gives us a first look at the brand new Olympus OM-D E-M5 Mark II mirrorless Micro Four Thirds interchangeable lens digital camera and the redesigned Olympus M.ZUIKO Digital ED 14-150mm f/4-5.6 II zoom lens. The video shows the improvements with which the OM-D E-M5 Mark II has been bestowed, over the original OM-D E-M5 camera, including an increased number of custom controls, a fully articulating LCD screen, several features previously only found on the flagship OM-D E-M1, as well as some unique
1,492 Views· Posted
In the following video, Allan Weitz, of B&H, introduces the Olympus M.ZUIKO DIGITAL ED 40-150mm PRO Lens, a weather-sealed 80-300mm equivalent zoom for Micro Four Thirds cameras. This video covers the lens’s superb optical design with multiple aspherical and ED elements, as well as a ZERO coating. Weitz also describes the benefits of the Dual VCM autofocus system and the minimum focus distance of just 27.55". Additionally
6,964 Views· Posted
In the following video, Larry Becker, from Kelby One, takes a look at the iUSBportCAMERA2 from Hyper++Drive, a compact device that adds or expands the Wi-Fi remote control functions of your Nikon or Canon DSLR camera. The video explores the controls and features of the device, including its compact size, LCD screen, and dual USB 2.0 ports. Becker guides you through the set-up processes and how to connect to and
22,893 Views· Posted
Join B&H Photo’s Allen Weitz for a quick review of the Sony Cyber-shot DSC RX 100 III digital camera. Weitz points out many of the new camera’s technological and design improvements, including its amazing ability to capture in low-light scenarios with improved noise reduction and sharper detail than its predecessor. The camera’s Zeiss Vario-Sonnar T* 24-70mm (35mm equivalent) f/1.8–2.8 lens allows greater depth-of-field
1,579 Views· Posted
In this third episode of Prospectives, Lindsay Adler takes us through her process as a fashion photographer. She discusses how she keeps herself inspired, where she gets her ideas, and how she surrounds herself with other professional creatives to achieve her looks. This episode has been sponsored by Sigma, lenses that Lindsay herself uses for her fashion shoots. Show created and directed by Kelly Mena.
67,850 Views· Posted
In the following video, Larry Becker, of Kelby Media, presents an overview of the Sigma 18-35mm f/1.8 DC HSM lens and covers its features, design, and its distinction of being the first constant f/1.8 zoom. Learn about this lens's overall performance, including its specifications, ability to produce notably shallow depth of field, auto-focus attributes, as well as build quality and operational characteristics. Becker also talks about Sigma's position in general and their push to develop the Global Vision series with specifically categorized
