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by Mary Latvis · Posted
Recording “live-to-tape”… what may seem like an oxymoron is really a common practice that can save you time and money on your multicamera video production. Read on to discover why recording your switched output reduces time spent in the editing suite, reduces your media costs, and allows for audience input into the final version.
1. Get a Jump on Editing
Using an AV switcher creates a rough cut of your project as you go, giving the director a leg up on the
by Jennifer Hahn · Posted
Atomos and Canon have teamed up to offer an exciting enhancement to your Canon EOS R5 camera and Atomos Ninja V+ monitor/recorder setup, with the latest firmware updates. By combining the Atomos AtomOS 10.68 update with the latest Canon EOS
by Jennifer Hahn · Posted
I can picture the eyerolls after reading that headline, and I totally understand. Will the cinematography departments of digital films now utilize autofocus in their carefully planned, meticulously lit, and choreographed productions? No, and for many reasons other than to keep focus pullers employed. But, using AF technology in smaller films, documentaries, reality shows, sporting events, and streaming productions can benefit greatly by the use of autofocus for their shots, so the camera won’t lose focus when a compact crew is busy juggling
by Mary Latvis · Posted
The exciting news from Blackmagic Design today includes the release of multiple new live video-production components. These latest goodies from Blackmagic include two new Studio cameras, pedestal-style focus and zoom controls, four new HyperDeck Studio models, and a new Web Presenter 4K unit. Many of the new components are priced the same as the prior models even though their features have been upgraded significantly. Like all the Blackmagic products, these latest items are designed for ease of use with ergonomic forms and strategically placed
by Steven Gladstone · Posted
ARRI has once again expanded the filmmaking landscape with the new Hi-5 Hand Control Unit, and we here at B&H Photo are happy to announce it. This is ARRI’s 5th-generation hand control unit, and an exciting leap forward in functionality. While it may look like a simple controller for a wireless lens control system, don’t be fooled―the Hi-5 is a sophisticated filmmaking tool designed to be robust enough to work in the field, and flexible enough to handle many a situation that has defeated other wireless control systems in the past. The Hi-5
by Steven Gladstone · Posted
Lighter and faster, the Moza Slypod Pro motorized monopod is even easier to carry around than its predecessors, allowing you to create smooth gliding camera moves up to 20" long without needing a dolly or slider. It is available initially as a Master Kit, which includes a mini-tripod and manual pan/tilt head that together allow
by Mary Latvis · Posted
Did you just upgrade to a new cine-style camera? Now’s the time to trick it out just the way you like with some pro-style rig components from Tilta. Tilta has you covered with complete kits and individual components such as handles, battery plates, and baseplates for cameras like the Canon C300 Mk III and C500 Mk II, Panasonic BGH1, Sony’s FX3 and FX6, and the Z CAM E2C.
Canon C300 Mk III and C500 Mk II
Compatible with the Canon C300 Mk III and C500 Mk II, these Tilta cage kits are built around a versatile
by Steven Gladstone · Posted
Bigger, better, faster, and stronger—the new YoloLiv YoloBox Pro Portable Multi-Cam Live Streaming Studio is built for professionals who want a simple-to-use, but robust, streaming switcher that can handle up to eight inputs. Although it’s only slightly larger than the YoloBox, the YoloBox Pro builds on
by Todd Vorenkamp · Posted
Multimedia storage professionals for more than 25 years, Wise Advanced has created new CFexpress memory cards that keep pace with the high-capacity and high-speed demands of today’s 8K workflow videographers, as well as the blistering frame rates of still photography shooters. The company’s latest card, the Wise Advanced 2TB CFX-B Series CFexpress
by Steven Gladstone · Posted
Teradek advances the state of wireless video production once again, and we are very happy to share the news with you about the new Teradek Bolt 4K LT MAX Wireless 4K HDR Video System. Yes, that is correct: wireless 4K 10-bit 4:2:2 HDR video, with a line-of-sight range of 3,000' (5,000' with the dedicated panel antenna). Consisting of a transmitter and receiver with both HDMI and SDI connectors, the Bolt 4K LT MAX system supports up to 4K30 via HDMI and 1080p60 via SDI,
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Are you ready for Zhiyun-Tech’s latest gimbal? Well, get ready, because it is the WEEBILL-2, ready to help you create stable, smooth moves with cameras weighing up to 7.3 pounds. Building on the popular WEEBILL LAB and WEEBILL-S designs, the WEEBILL-2 is an evolution in functionality with an integrated 2.88" flip-out touchscreen for monitoring and adjustments, so you no longer need to use your smartphone for monitoring and setup
by Steven Gladstone · Posted
Vlogging—video blogging—has become a powerful way to share your personal experiences with people around the world, and the Sony ZV-1 has established itself as one of the most powerful tools for vloggers who want sharp video and clean audio to reach their followers. Designed for the vlogger, the ZV-1 is tiny and lightweight, which makes it ideal for a vlogging camera, but within its small chassis lives a powerhouse of image capture for video
Posted
Doug Guerra takes the LiveU Solo Live Stream Encoder on a real-world test. This video encoder is a professional, reliable tool for any live event, because its size and simplicity make it a powerful streaming device.
Would you add this to your live streaming setup? Tell us in the Comments section, below.
by Mary Latvis · Posted
Get ready to add easy, portable switching to your multicamera shoot with the new AtomX CAST from Atomos. This sweet little device piggybacks onto your Ninja V 5" onboard monitor to create a four-channel HDMI switcher/monitor combo. Perfect for events, corporate, and house-of-worship uses, the AtomX CAST is also available as a
by Jennifer Hahn · Posted
Sometimes you have to take your multi-camera broadcast studio on the road, or even if it’s in an indoor space, it may need to move around and deploy quickly as the environment and your production needs change. For mobile situations, you may need to find yourself looking for a slightly smaller video switcher than one of those massive, daunting video switchers installed in TV studio consoles. Luckily, there is an impressive new breed of portable video switchers that allows you to live-switch easily and anywhere if you only have two or three