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by Daniel Wagner_1 · Posted
Filled with optimism, you selected your seat in Photo 101 with the care of a baseball fan choosing a perch at the World Series. The road to this momentous day was long and full of obstacles—the first of which was selling the financial underwriters, namely your parents, on the merits of pursuing a formal education in photography. Before the subject was broached, you knew what their arguments would be. They’d say that making a living as a photographer is a longshot, that you don’t need a degree to be a photographer, that the attrition rate for
by Todd Vorenkamp · Posted
The world looks different at night.That, more than anything, continues to drive me toward night photography. I started doing photography with a Kodak 110 film point-and-shoot camera, which was completely incapable of performing satisfying night shots due to its lack of manual exposure control. The night beckoned me. On the very first roll of 35mm film I shot with my trusty Nikon 6006 are some (very bad) long exposures of jet aircraft taking off and landing at Bradley International Airport.
Photographs © Todd Vorenkamp
The physiology of our
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What will our future selfies be like? Our guest, Stephen Mayes, suggests that they may be images of what we think rather than what we see. For those of you exasperated by the deluge of duck faces in your social media feed, this may be a terrifying idea, but is the selfie really that bad, and if so, how and why is it different than an artist’s self-portrait? These are the questions we address in this week’s episode and, to do so, we have invited the inimitable Mr. Mayes and photographer Nicky Wanzi, whose recent series of self-portraits, in
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Are dance and photography natural enemies? Well, of course not, but one art form is about the still, captured moment, and the other about choreographed movement and fluidity. However, anyone who truly understands photography knows the importance of timing, grace, and harmony, and a dancer must also recognize the relevance of rest and static. Sculpture, or gesture perhaps, is their common bond and our two guests know well the significance of gesture and the conflicting and compatible characteristics of dance and photography. They join us to
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As summer rolls around, it’s a good time to assess the best of the new products that have been announced thus far in 2016. With two of our most respected product specialists (and straight-up gear heads) we will discuss the most interesting cameras, lenses, and accessories to be introduced in 2016—some aren’t even on the shelves yet. Cameras from Sigma, Pentax, Sony, Canon, Nikon, and Olympus are considered, and we also touch on new cameras from Leica, Impossible, and Hasselblad. Lenses from these manufacturers, as well as Voigtlander, Tamron,
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At the 2016 OPTIC Imaging Conference, we were immersed in the riches of nature and travel photography; so many talented and distinguished photographers were displaying work and discussing their experiences and craft. We at the podcast were fortunate to be able to sit down with several National Geographic photographers for informal yet intimate chats on subjects ranging from photographic influences to shooting styles to gear choices. This week’s podcast presents a selection or compendium, if you will, of highlights from these conversations. We
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by Elizabeth Groeschen · Posted
My maternal great-grandmother’s family owned three cinemas during the Great Depression. You could say film and photography runs in my blood. Or, ran in my blood, until my grandmother’s father passed away and the ties to the cinemas were severed when they went to her brother. “The rest of the family wasn’t interested… I think there was a possible splinter, or a grudge was held,” my aunt told me. My mother’s older sister remembers far more than my mother does, and since she intends on living the longest, her story is the one I’m sticking with
by Jill Waterman · Posted
The theme of travel is infectious on Instagram, given the more than 100 million posts boasting a “#travel” hashtag. And things get decidedly more complicated from there, since the American spelling of traveler/traveling, and the British spelling with double l’s yield similarly stratospheric figures. Not to mention numbers for synonyms such as #adventure, #voyage, and #wanderlust.
Given such volume, compiling a list of top Instagram travel shooters is a task not to be taken lightly. This current selection melds my personal tastes with tips from
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With deference to Linda Richman, today’s podcast offers its version of the Coffee Talk skit from Saturday Night Live—Fujifilm is for Artists/Sony is for Pros… discuss! We realize, of course, that any camera—used well—can be for professionals and for artists and that artists can be pros and vice versa; we’re not so naïve as to think otherwise. Given the parameters of the topic, however, we take on this idea in an open conversation that touches upon the marketing for these high-end mirrorless cameras, the empirical evidence on who is using them
by Allan Weitz · Posted
I have long been attracted to cameras that appeal to my sense of aesthetics, ideals of functionality, or simply because they “talked” to me. With the exception of a few cameras that no longer function due to fragility, frozen shutters, or the lack of film, I still take pictures with many of these cameras.
Seneca Uno 4x5 Chautauqua (1903)
If you went to a camera store in 1903 and asked for a compact point-and-shoot, there’s a good chance the proprietor would show you a Seneca Uno 4x5 Chautauqua.
Seneca Uno 4x5 Chautauqua (1903)
Measuring a
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The OPTIC 2016 Imaging Conference provided numerous opportunities to talk with some of the most respected nature and landscape photographers working today, but the highlights of our two days at OPTIC had to be our chat with Michael Kenna, the event’s keynote presenter, and our conversation with Paul and John Paul Caponigro. It is unnecessary to summarize the work of these three photographers in any quick description but, suffice it to say, each is a master of his craft. While their work is distinctive and unique, it was wonderful to hear of
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Every year, B&H hosts the OPTIC Imaging Conference, a four-day event showcasing the best nature, landscape, and travel photography. The 2016 edition was a stellar outing, with presentations from some of the most interesting photographers working in those fields. It also serves as a chance for participants to put their hands on the latest cameras, lenses, and gear from all the major manufacturers.
To hear the segment of a particular manufacturer, go to any of these marks in the timeline:
• Sigma: 2:10
• Fujifilm: 10:18
• Canon
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Today we talk gear! In this episode of the B&H Photography Podcast, we invite two respected members of the B&H team to tell us which one camera offers them all they would ever want from a camera. Well, not exactly, but Christina Smith and Andrea Ortado do provide us with much to consider when we go on this hypothetical journey to find your “desert island” camera. Would it be full frame, have interchangeable lenses (but which one lens), would it be rugged and waterproof, be blazing fast or ultra-high resolution? How about high ISO or
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Wet-Collodion, Daguerreotype, Tintype, Calotype, Gum Bichromate, Van Dyke Brown. Oh my! On this week’s podcast, we welcome Geoffrey Berliner, Executive Director of the Penumbra Foundation, and photographer Jolene Lupo, to talk about alternative process photography. The Penumbra Foundation is an incredible organization, dedicated to the art, science, and history of photography and Berliner outlines their history and mission and the workshops and facilities they make available to all photographers, while Lupo discusses her tintype work at
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The Pulitzer Prizes for Feature and for Breaking News Photography are the highest honors that a photojournalist can receive and, between our two guests, they have won four. Martha Rial won the award for her coverage of Rwandan refugees returning home after fleeing genocide, and Ruth Fremson has won the award for her team coverage of the Bill Clinton impeachment process and for coverage of the 9/11 attacks in New York and of Pakistan and Afghanistan in the months after September, 2001. Both photographers join us to discuss how the